Architect, Urban Designer, and Editor-in-Chief of ArchDaily.com. Based in Beirut, Lebanon, Covering the World.
Melike Altınışık Architects - MAA has just revealed more details and interior images of Istanbul's futuristic 369 meter-tall TV and Radio Tower. Photographed by London-based architectural photography studio NAARO, the new landmark structure has started its main telecommunication functions in November 2020. It is expected to open its doors to public use in late spring 2021.
Mars House designed in May 2020 by Artist Krista Kim, has become the first sold digital NFT home in the world. The 3D digital file that can be experienced in virtual reality, was just acquired. Rendered using Unreal Engine, a software used to create video games, the house can be experienced in VR, but could also be experienced through augmented reality (AR) environment in apps. A structure comprised of light, Mars House generates a healing atmosphere, with a musical accompaniment by Jeff Schroeder of The Smashing Pumpkins.
The International Architectural Design Competition for Shenzhen Opera House has announced the selection of the proposal Light of the Sea submitted by Jean Nouvel as the first-prize winner of the contest. “A masterpiece where music meets the sea”, the design doesn’t adopt the conventional enclosed form of opera houses, but it integrates the building into the coastline, showcasing a visionary public cultural landmark.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. The third article of the series presents the ideas and visions of Yona Friedman, Oana Bogdan, and Leo Van Broeck from Bogdan & Van Broeck, Ma Yansong from MAD Architects, and Alessandra Cianchetta from AWP Architecture.
Paul Clemence has released a new series of images, showcasing the on-going construction works on 111 West 57th, designed by SHoP. Located in New York, the residential tower is set to become the second-tallest building in the city by roof height, and the most slender tall building in the world, once completed.
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The fourteenth Alvar Aalto Medal has been awarded to the Indian architectural office Studio Mumbai and its director Bijoy Jain. The award, carrying the name of the Finnish architect and designed by Aalto himself, was founded in 1967 in order to honor creative architectural work. Given out every three years by the Alvar Aalto Foundation, the medal “can be given to persons who have gained merit in the field of creative architecture in a very significant way”.
Leclercq Associés architectes urbanistes along with Nicolas Laisné Architectes, Clément Blanchet architecture, Tekne ingénierie, and Base paysagiste, have won the international competition for Sicily’s new administrative center, in Palermo, Italy. Meeting the challenges of the southern Mediterranean environment, the proposal for the Centro Direzionale Regione Sicilia by the Franco-Italian team is driven by an urban reflection, and geared towards new uses and environmental issues.
The 2021 Pritzker Architecture Prize, architecture’s highest honor, has been granted to Anne Lacaton and Jean-Philippe Vassal, founders of Lacaton & Vassal, the French duo renowned for their multiple sustainable housing projects and for the Palais de Tokyo, a contemporary art gallery in Paris. In their three decades of work, Lacaton & Vassal always prioritized the “enrichment of human life”, benefiting the individual and supporting the evolution of the city.
Exploring the use of innovative technologies in architecture and practicing at the crossroads between art and spatial design, Gili Ron and Irina Bogdan have imagined project Galath3a, a woman-machine collaboration. The research-based venture uses a UR5 robotic arm named Gala (short for Galatea), to speculate on what is culturally considered as "womanly behavior".
Construction has begun on “Welcome, feeling at work”, a biophilic office of the future in Milan, Italy. Designed by Kengo Kuma & Associates and commissioned by Europa Risorse, this venture seeks to create a workspace centered on employee health and wellbeing, integrated within its local environment. Imagined to be one of the most sustainable office development to date, the project is scheduled for 2024.
Simple in form but complex in substance, “What is Architecture?” remains an existential question for a lot of architecture students and young professionals. In an attempt to define this ever-changing interrogation and expose the different visions out there, the interview series: WIA – What is architecture? asks four, straightforward, questions to world-leading architectural designers and thinkers. Seeking to uncover their opinion on what architecture is and what it can do, these short videos reveal responses to “What is architecture? What can architecture do? What is your architectural position? and What is your design method?”.
ArchDaily has collaborated with WIA to release every week, 4 of these conversations, and to invite you to take on the challenge and answer these questions. This second article of the series highlights the ideas and visions of Odile Decq from Studio Decq, Kjetil Thorsen from Snøhetta, Florencia Pita & Jackilin Hah Bloom from Pita & Bloom, an architectural design collaborative based in Los Angeles, and Jeffrey Kipnis, an American architectural critic and theorist.
While in a lot of countries around the world, the construction, architecture, engineering, and urban planning sectors, are still reserved for men, initiatives that empower women in these fields are surfacing everywhere around the globe. Playing a huge role in the integration of female power into these disciplines, these movements take on many forms such as organizations, websites, platforms, etc. working with professionals, artisans, and workers.
From providing skills, connecting outstanding females, ensuring exposure, and promoting the works of pioneers, these initiatives have the common purpose of encouraging women to have an impact on their built environment.
HerCity is a platform that involves women in urban development, in order to make better cities for everyone. Turning the tables and putting girls in the expert position, the digital toolbox aims to create more inclusive, equal, and sustainable cities and communities. The initiative makes methods and tools available to urban actors globally, in order to support cities in integrating girls’ participation in their long-term strategies.
Launched on Women’s day 2021, the guide for urban planning and design is a collaborative effort between UN-Habitat and Global Utmaning, the Swedish independent think tank. ArchDaily had the chance to talk with the team behind this digital toolbox, discussing the narratives, the process, and inclusive planning on a worldwide level.
Scheduled to open in the summer of 2021, the H.C. Andersen’s House is a new museum, designed by Kengo Kuma & Associates in Odense, Denmark. Reinterpreting the story of the Danish author’s life and work, the project “will provide a unique artistic experience, which combines landscape, architecture and modern exhibition design”.
Skene Catling de la Peña and Factum Foundation are transforming Alvar Aalto’s iconic wood chip Silo into a research Centre promoting architectural preservation and re-use. The AALTOSIILO, a cathedral-like concrete structure “will become a point of focus for digitizing and communicating the importance of the industrial architecture of the north and – in turn - the impact industry has had on the environment”.
Another year and another International Women’s Day. Although recently, the gender debate has taken considerable attention, the battle for equality is far from over. Even in the 21st century, architecture can still be a challenging profession for women. Progress is happening though, and in 2020, Yvonne Farrell and Shelley McNamara became the 4th and 5th women to receive the Pritzker prize, ever since its inception in 1979.
Not limiting our coverage to the 8th of March, ArchDaily recognizes every day the female force that is shaping the built environment around the world. In fact, Women in Architecture is one of the main pillars of our content strategy. This year, for International Women’s Day, ArchDaily has decided to feature a week of curated content, with exclusive interviews and thought-provoking editorials. Join us as we highlight women that deserve a seat at the table, and share tools to achieve an inclusive world.
Every year in March, the QS World University Rankings reveal the top universities to study each profession, covering 51 different subjects. Grading schools based on academic reputation, employer reputation, and research impact, the annual QS- Quacquarelli Symonds has unveiled that for the second year in a row, in the 2021 Architecture/ Built Environment division, the Massachusetts Institute of Technology (MIT) is still in the first position.
In theory and practice, in the modern era, the idea of spatial separation between home and work was related to the traditional sexual division of men and women, and of their role in life. Going back to the earliest feminist thinking in architecture, in western industrialized communities, we are elaborating in this article on women’s changing role in the 20th century and its impact on the space we experience today.
.jpg?1615997115 "SaatRasta Photo by Giovanni Hänninen. Image Courtesy of Alvar Aalto Foundation")
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_7259.jpg?1615813633 "FRAC Dunkerque . Image © Laurian Ghinitoiu")
