In Timișoara, Romania, Beta Architecture Biennial opens to the public today, September 13, under the curatorial direction of Oana Stănescu. Now in its 5th edition, thus celebrating 10 years since its inauguration, the 2024 biennial proposes a wide-ranging program of debates, exhibitions, guided tours, and artistic performances. The two main components of the biennale are the Main Exhibition, cover me softly, led by Stănescu, and the Beta Awards, aiming to highlight architects and professionals from Romania, Hungary, and Serbia who actively contribute to the improvement of the built environment. The biennale is open between September 13, and October 27, 2024.
As a landmark of contemporary religious architecture in Portugal, the Church of the Sacred Heart of Jesus stands in contrast to traditional models, representing a work free from historicist stigmas. Resulting from a design competition organized in 1960, the church is notable for its civic dimension, urban role, and its anti-monumental and social significance. Integrated into the regular grid of the Avenidas Novas neighborhood, this example of the Movement for the Renewal of Sacred Art is part of a larger parish complex that often goes unnoticed by passersby. Its external street creates an unexpected public space, inviting people to enter and engage in a courtyard where architecture and the city merge. Finely crafted in terms of spatiality, detail, and light, the church holds many surprises for those who venture inside.
Borderless Studio, “Kohn School in Roseland,” Chicago, 2023. Digital photograph. Photo: David Schalliol. From the 2024 grant to Borderless Studio and MAS Context for the publication “Beyond Closure: Reimagining Possibilities for Chicago’s Closed Schools” . Image Courtesy of Graham Foundation
The Graham Foundation, based in Chicago, has allocated $390,000 in grants to support 33 innovative projects worldwide. These initiatives include exhibitions, publications, and presentations aimed at enriching the discourse in architecture and its role in society. The projects, undertaken by architects, artists, curators, and educators, span various cities such as Johannesburg, New York, Chicago, and others, reflecting a global perspective on contemporary architectural issues.
Beka & Lemoine’s Film Tokyo Ride Features Pritzker Prize Winner Ryue Nishizawa . Image Courtesy of Beka & Lemoine
Kazuyo Sejima and Ryue Nishizawa, founders of the renowned architecture firm SANAA, have been announced as the recipients of the 2025 Le Prix Charlotte Perriand by the Créateurs Design Awards. Announced today in Paris, France, the award honors exceptional contributions to modern architecture and design. Sejima and Nishizawa, known for their minimalist designs that integrate form, function, and the environment, continue to be recognized as innovators in the field, having been previously recognized with the prestigious Pritzker Architecture Prize in 2010. Sejima and Nishizawa will accept Le Prix Charlotte Perriand at the Créateurs Design Awards ceremony in Paris on January 18, 2025.
Porto, Portugal's second-largest city, is a captivating blend of historical charm and contemporary innovation. Perched along the Douro River, this UNESCO World Heritage site boasts a rich architectural tapestry that spans centuries. Porto's urban landscape is a testament to its evolving identity from its medieval Ribeira district with narrow cobblestone streets to the iconic Luís I Bridge. The city's skyline is punctuated by Baroque churches, neoclassical palaces, and modernist structures, creating a visually striking contrast that reflects its dynamic history.
Porto has undergone a remarkable architectural renaissance in recent years, becoming a magnet for local and international talent. The city has evolved into a dynamic canvas where bold contemporary designs seamlessly integrate with its rich historical fabric. The influence of renowned architects like Álvaro Siza Vieira and Eduardo Souto de Moura, both Pritzker Prize laureates and native to Porto, has solidified the city's status as a key player on the global architectural stage. Among the city's most striking contemporary landmarks is the Casa da Música, a futuristic, diamond-shaped cultural center designed by Dutch architect Rem Koolhaas, which stands as a testament to Porto's forward-thinking spirit. This sophisticated blend of tradition and modernity, coupled with a strong commitment to urban regeneration, has transformed Porto into a vibrant hub of architectural innovation, making it a must-visit destination for architecture enthusiasts and cultural explorers
"O beautiful, for spacious skies, for amber waves of grain, has there ever been another place on earth where so many people of wealth and power have paid for and put up with so much architecture they detested as within thy blessed borders today?"
Tom Wolfe wrote this in his 1981 book From Bauhaus to Our House. The conflict between modern and traditionaldesign has barely abated since, as is evident in this recent article. In the U.S., modern buildings are often met with community aversion, for familiar reasons: their perceived coldness and lack of contextual sensitivity, the impact on local character, and the loss of historical continuity. But on another level, the critique against modern design finds even more purchase on the larger scale: the city. Modern U.S. cities reek of traffic congestion and pollution, social inequality and gentrification, a loss of community and cultural spaces, and a lack of usable open space.
https://www.archdaily.com/1020898/contemporary-architecture-and-the-modern-cityGerhard W. Mayer
In the interview conducted by Louisiana Channel, architect Andrés Jaque discusses his foundational interest in architecture and his perspective on its role in shaping society. Jaque, founder of the Office for Political Innovation, emphasizes the creative potential of architecture to intervene in reality and reconnect all elements of the environment. He also goes into perspective on the political aspect of architecture, an interest from which the name of his office derives, as well as his perspectives on the true meaning of sustainability.
The Central Bank of Iraq (CBI) headquarters, designed by the UK-based Zaha Hadid Architects, is a new landmark on the banks of the Tigris River in Baghdad. Now the tallest building in the city, the 170-meter-tall skyscraper aims to echo the values of the institution: solidity, stability, and sustainability. Blending innovation with the rich heritage of Baghdad, her birthplace, Zaha Hadid’s vision for the Central Bank of Iraq headquarters stands as a tribute to the city's enduring legacy.
Montreal, located along the Saint Laurent River in Southern Quebec, is Canada’s second-largest city. Often renowned for its architectural diversity, its built environment reflects both its colonial past and modern evolution. As a former territory of "Nouvelle France," French language and culture remain dominant, which has in turn influenced the city's architectural character. Notably, Old Montreal features well-preserved buildings from the 18th and 19th centuries, most of which are a testament to the city’s industrial growth after the construction of the Lachine Canal. The area's heritage has been protected and restored through efforts by figures like Phyllis Lambert and organizations such as Heritage Montreal, allowing the city’s rich architectural history to coexist with its modern developments.
Montreal's multiculturalism is evident in neighborhoods like Little Italy and Little Portugal, with its diversity fueling a vibrant cultural scene. The city hosts a multitude of festivals every year, many held in open-air venues like Place des Festivals. Parc Jean-Drapeau, built for the 1967 World Expo, is another popular spot for large events while offering stunning views of the city skyline. Another relevant site is Mont Royal Hill, a park offering panoramic views of downtown and access to hiking trails, Saint Joseph’s Oratory, Beaver’s Lake, and other areas of architectural interest such as the Plateau.
Oct Art Center, Photo by Xia Zhi. Image Courtesy of Zhu Pei Studio
“This is going to be amazing! I feel so excited,” says Zhu Pei about his now under-construction Majiayao Ruins Museum and Observatory in Lintao, Gansu province. The Beijing-based architect designed his building like a deeply embedded cavernous space evoking a giant fragment of ancient pottery, resembling an archaeological site from the Neolithic Age discovered here a century ago. The building is so unusual that it cannot be described in common architectural terms. For example, a vast cast-in-place concrete hyperbolic shell lies prone on the ground, blocking the cold wind from the northwest in winter. The architect used the sand and gravel from the local Tao River to produce a special rough concrete with horizontal scratches on the surface, symbolizing the traces of thousands of years of erosion. All of Zhu’s buildings are quite remarkable. Yet, despite their novelties, they are rooted in culture, nature, and climate. They are designed based on his architectural philosophy, Architecture of Nature, articulated in five fundamental points: incomplete integrity, sponge architecture, cave and nest, sitting posture, and structure and form.
Madrid, the vibrant capital of Spain, offers a blend of tradition and modernity, reflected in its diverse architectural heritage. This rich past is etched into the old façades, expansive public spaces, and historic religious institutions that define much of Madrid’s character today. The city’s continuous architectural renewal, reflected in both respectful restorations and innovative new constructions, highlights Madrid’s commitment to preserving its heritage while embracing modernity.
In the 20th century, Madrid embraced modernity, influenced by movements such as Rationalism, the International Style, and Brutalism. Today, Madrid is a showcase for contemporary design, where contemporary projects by renowned architects coexist with its historical legacy. Structures like the CaixaForum by Herzog & de Meuron and Jean Nouvel’s Reina Sofía Museum exemplify the city’s interest in architectural explorations
As major cities continue to develop, we face intriguing challenges regarding the preservation and adaptive reuse of significant buildings, sites, and artifacts. This poses a complex question that involves political history, architectural theory, and cultural significance. Adaptive reuse extends beyond architectural and spatial designs; it allows cities and communities to reflect, reevaluate, and reinterpret their history from different perspectives. However, unlike books and words, buildings may not withstand the test of time themselves and serve as firsthand evidence of the stories they tell. How should we question ourselves on what to preserve and demolish? How can communities be involved in the active restoration or adaptation of historic buildings?
New York City’s skyline tells the tale of the region’s dated relationship with architectural innovation and style. Among the many materials that cloak the city’s built environment, terracotta has a distinct significance. The clay-based material was a prominent feature in buildings from the late 1800s to the 1920s and, after a brief pause, is experiencing a resurgence with contemporary design. The revival pays homage to The Big Apple’s architectural heritage while leading a movement for sustainable materials in the city.
Prague, the capital of the Czech Republic, is one of Europe's best-preserved cities, having miraculously survived the widespread bombings of World War II. As the capital of the Czech Republic, Prague is home to over 1.3 million people and features an architectural heritage spanning centuries, covering a variety of architectural styles from Romanesque, Gothic, Renaissance, Baroque, and Rococo, to Modernist, Deconstructivism, and contemporary tendencies. The Old Town Square, where various architectural styles coexist, is a testament to this diversity. Known as the "Mother of all Cities," “the Golden City and “The City of a Hundred Spires,” Prague blends history and contemporary culture seamlessly. Its origins, steeped in legend, add to the city's charm.
In 2020, the French Minister of Culture approved an extensive renovation program for the Centre Pompidou with the purpose of resolving the building's technical issues and ensuring the long-term viability of the iconic structure. Designed by Renzo Piano and Richard Rogers in 1971, the museum was conceived as a "living cultural machine," sparking controversy due to its unusual architecture. To ensure an efficient renovation process, the building will be fully closed for a period of 5 years, from September 2025 until 2030. French architecture studio Moreau Kusunoki has been commissioned to lead the renovation project, collaborating with Frida Escobedo Studio and AIA Life Designers, who are entrusted with the technical component of the project. The architects have been selected following an international competition, with Renzo Piano as one of the jury members.
Beyond serving as mere backdrops for fashion shows, architecture often influences fashion collections, contributing spatially to their storytelling, offering material inspiration, and showcasing the connection between structure and shape. As both disciplines revolve around form, structure, and the human experience, architecture, and fashion share a strong connection, one often explored by creators in both fields. From meticulous tailoring and structural designs that mimic architectural lines, contours, and volumes, to architecture taking cues from how fashion works with the human shape, this interplay can create multidimensional experiences for the enthusiasts of both high fashion and architecture.
Since its launch in 2000, the Serpentine Pavilion has been providing renowned and emerging architects with a platform for design experimentation, becoming an important display of contemporary architecture. Each year, the commissioned architects and designers envision a temporary structure that speaks not only to their roots as creators, but also brings into focus what they consider to be important themes in the architectural world, from the need to redefine spaces for contemplation or conviviality, to explorations into the potential of natural materials or vernacular building techniques. On the day of the public opening of the 2024 Serpentine Pavilion, the "Archipelagic Void" designed by Korean architect Minsuk Cho and his firm Mass Studies, we look back at the last eight editions of the famous annual structure.
Milan Design Week stands as one of the most important events in the global design calendar, serving not only as a showcase of innovation but also as a catalyst for critical discourse and creative exchange. This year, the event unfolds with a multitude of exhibitions, installations, and talks happening throughout Milano during the week of April 15-21, 2024. By bringing together diverse voices, perspectives, and talents, Milan Design Week becomes relevant for architects and serves as a nexus for interdisciplinary dialogue. To help you better navigate the plethora of events, conferences, and installations, this article highlights the main venues hosting activities revenant for architects and designers, from the expansive trade fair Salone del Mobile in Rho Fiera to design districts across the city and unexpected locations hidden in Palazzo courtyards or reimagined industrial heritage sites.
