The Indian built environment constantly negotiates ancient traditions, diverse population, and globalized ambitions. When it comes to heritage preservation, these forces often converge to create a distinctive approach to conservation efforts in the country. Beyond the conventional models seen in many parts of the world, India's conservation projects intertwine historical practices, community engagement, and a reverence for the living essence of buildings.
After winning the international competition for the design of the Vltava Philharmonic Hall in May 2022, Danish studio BIG-Bjarke Ingels Group has now developed the design into a detailed architectural study. The project continues the central concept of the competition, that of connecting the riverbank with the venue’s rooftop via a meandering path that expands the public space and invites visitors to engage with the new building. Construction is expected to start in 2027, after completing the project documentation for the building permit and selecting a contractor. The Philharmonic Hall is expected to open in 2032.
Last week, WXCA Architects unveiled the design for a new “green district of the future,” to be developed on a former FSO car factory site in Warsaw. Covering over 60 hectares, the project aims to accommodate more than 17,000 residents and provide employment for approximately 13,000 individuals by 2050. The Polish automotive FSO factory will be transformed, outlined in a master plan envisioning a multi-functional and environmentally conscious district.
Saudi Arabia, a country going through a tremendous transition, is not only changing its skyline but also redefining its identity on a global level. As part of their 2030 Vision serving as the compass, the kingdom is moving toward new developments, aiming to revive culture and diversify the economy. In fact, the capital, Riyadh, is leading the transformation by hosting the 2030 World Expo. Representing the country’s dedication to advancement, several mega projects are taking place and transforming the kingdom's fabric.
Amidst the various projects, many world-renowned firms are working on these mega projects at many different scales. For example, the cultural renaissance is shown through Snøhetta’s Opera House in Diriyah, while the Jeddah Tower is on a trajectory that will overtake the Burj Khalifa. In the meantime, Heatherwick Studio’s conversion of a Jeddah desalination plant into a thriving cultural center showcases their repurposing of industrial spaces. From coastal projects by Foster + Partners to city center skyscrapers that are redefining the skyline, the country is undergoing significant transformations in its built environment.
Discontent among employees in architecture firms is at an all-time high, demonstrated in the push for architectural unionization in the US in response to the lack of overall well-being in the profession. This discontent can be largely attributed to the inherently exploitative nature of the regular top-down architectural firm structures, fostering a disconnect between the direction firms take and the people working to make it possible. In these, leadership often takes on projects beyond the firm's financial capacity, with the expectation of underpaid staff taking on the brunt of the work through unpaid overtime. In these structures, employees are not to be a voice guiding the firm but to be profited off of. So, what are ways to address this disconnect? Is it time to restructure firms to give architects more agency? What are ways to create non-hierarchical firm structures?
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina of FAME Architecture & Design discuss their stay at the Lighthus, a vacation rental home designed by Peripherie Design Studio's William Liow, AIA. The two cover the design of the home, the value of architecture, communicating to clients, what architects do, and more.
Previously we have published an article about how laundry rooms, or utility rooms, are an unnecessary luxury in a modern home. However, this space is undeniably an important part of Brazilian homes and is used not only for washing and drying clothes but also for storing cleaning products and other items. Since these spaces are usually quite small, it is not always easy to keep them organized to ensure maximum functionality. So, here are some tips for those who want to optimize this environment for a better routine in everyday life.
Weaving is not only a technical craft but also a way to design material experiences. Engaging in the process of weaving allows us to structure, communicate, reflect on, and connect with our designs. By experimenting with different fabric structures, we gain insight into how materials behave under tension and compression. This understanding helps us push the boundaries of textiles and their limitations, resulting in designs that stretch and test the properties of the materials.
In architecture, the construction mechanism of weaving centers the shelter to the building process. In this sense, shelter becomes a direct manifestation of material production. Additionally, weaving offers numerous environmental and social benefits by creating shelters that actively engage with materials, tools, technologies, and creative potentials, thereby supporting placemaking.
As we confront the critical reality of climate change, the construction industry stands at a pivotal point. With the industry responsible for nearly 40% of global carbon emissions and substantial material waste, a shift towards sustainable practices is imperative. In the case of Europe, adherence to the Paris Agreement and the ambitious European Green Deal guide the sustainability trajectory. European cities, with their rich historical architectures blended with modern infrastructures, face unique challenges in sustainable urban development, making the integration of eco-friendly practices essential.
The Bruges Triennial 2024 has announced its theme, “Space of Possibility,” along with a list of participating artists and architects and the locations of the 12 installations. Running from Saturday 13 April to Sunday 1 September 2024, the event will take over the streets and historic center of Bruges. Belgium, showcasing contemporary art and architectural interventions. The curators of this edition, Shendy Gardin and Sevie Tsampalla, have selected a list of 12 artists and architects who will challenge the existing locations within the city’s quarters in response to the theme which asks them to seek to reveal the hidden potential of the city.
UNStudio, in collaboration with Arup and local firm Heerim Architecture, has unveiled the proposal for the “Peace Park Wheel.” Designed as a landmark at Sangam World Cup Park in Seoul, UNStudio successfully won the preliminary competition and is set to partner with Seoul Housing & Community Corp. The ferris wheel proposal is part of the mayor’s vision: “Han River with a Thousand Sunsets,” aiming to establish numerous public spaces along the Han River for the city’s residents.
The relationship between architecture and the environment is multifaceted. It involves a dynamic interaction between built spaces and the surrounding natural context. It shapes how buildings and cities function, impacts ecosystems, and influences the well-being of inhabitants.
Many factors link architecture and the environment. They span from practical considerations such as natural materials and renewable energy sources to broader aspects like integrating and appreciating local culture. Within this wide range of possibilities, we have selected five interviews that showcase different approaches to this theme. These interviews stimulate essential reflections on the contemporary architectural context.
In the contemporary context, museums face contradictory sets of ideas: becoming attractions on and of themselves but presenting an understated image that shifts the attention to the exhibits, creating a safe and protected environment for the artifacts, yet opening them up to the public, becoming repositories of history yet catalysts for innovation. Searching for the balance between all of these constraints has resulted in the flourishing of diverse types of museums and cultural institutions, from those dedicated to the remembrance of a single event or persona to temporary homes for cultural events or spaces that expand their cultural offering beyond exhibition areas.
This curated selection of Best Unbuilt Architecture highlights projects submitted by the ArchDaily community that demonstrate the fusion of art, technology, and innovation within the realm of museums and cultural centers. Among the featured designs are works from renowned architectural offices, including CAA architects, NextOffice – Alireza Taghaboni, and Fentress Architects, along with several emerging firms. Ranging from a sculptural art museum in Dubai to a local cultural and recreational complex in Senegal, or an immersive science museum in Rome, Italy, this diverse compilation strives to showcase the spectrum of scales and purposes of cultural institutions.
Rafael Viñoly Architects has released new renderings of their design for the new international terminal at Aeroporto Amerigo Vespucci in Florence, Italy. According to the architects, upon completion, the new terminal is expected to welcome over 5.9 million passengers a year, becoming one of the largest airports in the Tuscany region of Italy. In a nod to the Tuscan traditions of winemaking, the terminal’s rooftop features a 19-acre productive vineyard. The project is divided into two construction phases, with the first one scheduled to be completed in 2026, and the second in 2035.
BIG has released sneak peek images into their “Not A Hotel Setouchi” project in Japan. The scheme draws inspiration from the surrounding beauty and Japanese landscape artworks, situated in the southwest cape of Sagi Island, overlooking the Seto Inland Sea. Consisting of three distinct holiday villas, Not A Hotel aims to blend Japanese and Danish architectural influences.
In Norway, the Medieval Churches, known as "StavKirker" (in Norwegian, "Stav" refers to a type of wooden column, and "Kirker" means church), stand out as iconic structures. They emerged in the 11th century following the country's conversion to Christianity, reflecting Norwegian expertise in ship carpentry inherited from the Vikings. This expertise transformed wooden construction, innovating woodcraft techniques and turning these buildings into aesthetically significant compositions.
Contemporary and fresh, luminous and colorful, intriguing and surprising; the interior design of a newly finished apartment project in London speaks the visual language of its maker, award-winning designer Karim Rashid. Having spent the past four decades in the field of design and architecture, Rashid has manifested both his talent and approach with an always recognizable design DNA.
Usually defined by their open-air settings, diverse offerings, local and independent sellers, temporary nature, and acting as social hubs, street markets have been around for thousands of years. From the days of the Roman Forum to the Silk Road and the markets of ancient Greece, they are undoubtedly essential parts of urban life, or “the center of all that is unofficial.” Mostly categorized under the informal economy due to lack of regulations and authorization, street markets in the global south have often been seen as a threat to urban development. However, these erratic and adaptive urban spaces serve core functions in any developing city, acting as pillars of community in many different facets of society.
Policymakers and city officials have long struggled with informality, considering it the “antithesis of modernity.” Conventionally, the informal economy consists of activities with market value but are not formally registered, often unregulated, undocumented, and operating outside the incentive system offered by the state. Street vendors, specifically in the global south, constitute a substantial portion of the informal economy. Moreover, as cities grow and approach development, public spaces become more contested and privatized, leading to an overall mission to remove street markets or push them into formalization.
Organized by Monaco Marina Management, the Monaco Smart & Sustainable Marina Rendezvous aims to propose innovative solutions and encourage their application towards the development of virtuous marinas. This initiative stands out for connecting marinas, architects, innovators, yachting professionals, investors, officials and policymakers, to promote the development of eco-responsible, efficient and attractive marinas in the eco-transition drive underway for yachting destinations. For this third edition, a beach club design competition was launched, with the participation of 14 international professional studios and 51 students who presented a total of 43 projects to the jury members chaired by Jean-Michel Wilmotte from Wilmotte & Associés.
Designed by the sports and entertainment-focused architecture office Populous, the Nassau County International Cricket Stadium will be located in Eisenhower Park, 30 miles east of Manhattan, and is planned to host eight matches during the ICC Men’s T20 World Cup 2024. The stadium, having a capacity of 34,000 seats with additional VIP and hospitality units, is scheduled to be completed within 3 months. The accelerated process is made possible by the modular system, typically employed in other sports such as Formula 1, Golf, and the Olympic Games.
NEOM - or "new life" in a blend of Greek and Arabic- is a new urban development planned by the Kingdom of Saudi Arabia. Imagined as a cross-border city located in the northwest of the country, it aims to diversify the economy and reduce its dependence on oil. With promises of sustainability and innovation, the mega development has grabbed global attention with its 10 distinct regions.
It is conceptualized as a cutting-edge metropolis, aspiring to emerge as a worldwide epicenter for groundbreaking advancements and an exemplar of eco-friendly lifestyles. Since its announcement in 2017, NEOM has revealed the plans for 10 central regions, featuring a 170km long skyscraper, a futuristic ski resort, an upside coastal hotel, a tourism destination in a mountainous valley, and many more.
Born in Brazil and educated in Paraguay, Gloria Cabral is an architect who early on learned that home can be many places—or none at all. Guided by a comprehensive understanding of the geography, culture, and social conditions of the places she designs, she has left her mark on buildings and artistic installations constructed in various locations, from Assumption to Venice.
Besides her interest in the specificities of the places where she operates, Gloria focuses on resource economy and material reuse — a trending theme that Gloria has championed for over fifteen years. We had the opportunity to speak with the architect about her experiences in Paraguay and Brazil, some of her works involving recycled brick, and her insights into architecture and sustainability.
This article is the seventh in a series focusing on the Architecture of the Metaverse. ArchDaily has collaborated with John Marx, AIA, the founding design principal and Chief Artistic Officer of Form4 Architecture, to bring you monthly articles that seek to define the Metaverse, convey the potential of this new realm as well as understand its constraints.
In so many ways the introduction of AI software has created a sense that we live in a world predicted by science fiction novels. We commonly have rested on the assumption that computers will never be capable of designing. That time has now arrived, and with it comes an opportunity to confront the positives and negatives these new technologies offer.
Contemporary cities and urban settlements manifest as intricate structures that demand deep reflection and a careful approach. The social models and spatial layouts within them are in constant evolution, transforming over time. In this context, a crucial question arises: What is the predominant model for cities today? Many contemporary cities result from a paradigm that reached its apogee in the 19th century, characterized by intensive densification and urbanization in response to needs that weren't always reflective of its inhabitants.
In some cases, due to the transformations experienced by large cities, certain urban sectors have fallen into disuse, becoming residual spaces or moving away from purposes oriented to community development. Recognizing that people are the driving force behind the dynamics of cities and human settlements, it is imperative to reclaim these spaces. To this end, theoretical approaches such as the one proposed by Henri Lefebvre's right to the city and the 15-minute city are presented as alternatives. In these cases, people regain the focus, becoming key elements in the design, and allowing for the re-establishment of a community-person-space bond.
