Many people living in large urban centers have, at some point, wished to trade the chaos of city life for the calm and tranquility of nature. As the desire for such experiences grows, Latin American countries' tourism and hospitality sectors have been investing in resorts nestled within forests. Inspired by eco-tourism, these retreats are designed to blend seamlessly into their surroundings, using local materials and traditional techniques that respect the ecosystem and promote sustainability.
The United Center arena in Chicago, designed by HOK Sport (now Populous), Marmon Mok, and W.E. Simpson Company, was built between 1992 and 1994. With a capacity of over 20,000 seats for sports and general events, it includes more than 6,000 parking spaces in lots surrounding the arena. These parking lots span approximately 55 acres (over 22 hectares) in Chicago's West Side (1901 W. Madison Street). A new master plan, named the 1901 Project, aims to transform this space into a mixed-use neighborhood. Led by design collective RIOS, with contributions from landscape architecture studio Field Operations, this long-term, multi-phase project aims to connect neighborhoods by creating new public spaces and infrastructure on a metropolitan scale. The proposal recently received approval from the Chicago Plan Commission.
Pakistan has unveiled its national pavilion for the 19th International Architecture Exhibition - La Biennale di Venezia, set to take place from May 10 to November 23, 2025, in Venice, Italy. Titled (Fr)Agile Systems), the pavilion explores the dual nature of resilience and vulnerability in the face of climate change, using Pakistan's rich geological and cultural heritage as a lens to examine global environmental inequities. Through a striking installation featuring rock salt, a material shaped by time yet susceptible to change, the pavilion challenges dominant narratives of climate adaptation, advocating for localized, nature-based solutions rather than one-size-fits-all approaches.
Chinese architect and educator Liu Jiakun has been announced as the laureate of the 2025 Pritzker Architecture Prize, the highest honor in the architecture field. This prestigious award recognizes Jiakun, founder of Jiakun Architects (established 1999), for his ability to blend traditional Chinese elements with contemporary design and for his commitment to social equity in the built environment. Born in Chengdu, China, where he continues to live and work, he becomes the second Chinese architect to receive the accolade, following Wang Shu (2012). Jiakun joins a distinguished list of previous laureates including Riken Yamamoto in 2024, David Chipperfield in 2023, and Francis Kéré in 2022. The award ceremony will be held this spring at the Jean Nouvel-designed Louvre Abu Dhabi, with a global video release of the presentation this fall, followed by the 2025 Laureates' Lecture and Symposium in May.
The 2025 Pritzker Prize has been awarded this year to Chinese Architect Liu Jiakun. Born in Chengdu in 1956, he grew up in the densifying city, before attending and graduating from the Chongqing Architecture and Engineering College (Chongqing University) in 1982 with a Bachelor of Engineering degree in Architecture, and becoming one of the first college graduates to be tasked with rebuilding the country during the Chinese transition period. However, it wasn't until many years later that the architect understood that "the built environment could be used as a medium for personal expression". It was then that his endeavors and career took off, with Liu Jiakun starting his practice in 1999, and participating in more collaborative works across China and Europe. Based on his experiences, his works are anchored in his understanding of reality and a respect towards China's multi-traditional history and internal diversity; all while achieving a seamless balance between architecture and nature, tradition and modernity.
These concepts do not obstruct his consciousness of human needs and the importance of community spaces. Through his projects, Liu Jiakun proves that spaces can affect human behavior and become positively evocative. A public space such as those he's created can be conducive to a benevolent atmosphere that provides rest and collaboration. "such as my pursuit of narrative and poetry in design." The comprehensiveness of Liu Jiakun's works makes it easy not to be constrained by stylistic or aesthetic limitations or requirements. He just follows what the site, natural landscape, pre-existing urban frame, and citizen needs might require. The physical result is a mix of all of these with the predominant vernacular traditions.
Liu Jiakun, the 2025 Pritzker Prize winner, has spent decades redefining Chinese architecture by combining utopia with function and social engagement with personal memory. His buildings are reflections of the everyday lives of ordinary people, crafted with an understanding of place, culture, and materiality. Rejecting the pursuit of a fixed architectural style, Jiakun believes in a strategy rather than a signature aesthetic, tailoring each project to its specific context and needs. His work integrates history with contemporary urban needs, collectivism with individual experience, and density with openness, offering timely solutions to the challenges of rapid urbanization.
Jiakun's approach is deeply rooted in Chinese philosophy, common sense, and local craftsmanship, ensuring that architecture grows naturally from its surroundings rather than being imposed upon them. His buildings reflect an authenticity that speaks to both past and present, avoiding grand gestures in favor of spaces that foster interaction, spirituality, and human connection.
The Jewish Museum in Berlin, designed by Daniel Libeskind, employs synesthesia to evoke feelings of disorientation, loss, and memory through fragmented geometry, contrasting lighting, and material choices. Inspired by a shattered Star of David, the building guides visitors through slanted and narrow corridors, creating instability and discomfort. Light, either filtered through slits or almost entirely absent in certain areas, reinforces the oppressive atmosphere. The raw concrete, with its cold and rigid texture, intensifies this experience, while the void resonates with echoes and silence. In the Shalekhet (Fallen Leaves) space, metal plates shaped like faces emit unsettling sounds when stepped on, creating a disturbing auditory experience. The museum transcends its function as an exhibition space and becomes an immersive architectural experience, where light, sound, texture, and form combine to convey the pain and memory of the Holocaust.
Architecture is a discipline that evolves through progressive stages, with each phase building upon the previous one. Schematic design, for example, begins with broad concepts and initial explorations, followed by site analysis, sketches, and 3D models, with adjustments made along the way. The true challenge lies not just in following this sequence but in balancing speed, quality, and efficiency to navigate the trade-off between time and quality. In this context, the integration of generative artificial intelligence in the built environment reshapes architectural dynamics by assisting architects and creating space for more experimentation and exploration. Its impact is especially significant in rendering, which was previously a constraint at different project stages—particularly during concept development. Today, however, AI-powered architectural rendering operates smoothly, allowing more focus on creative problem-solving through innovative tools and strategies.
Following an international competition, Polish American architect Daniel Libeskind's firm, Studio Libeskind, in collaboration with La Compagnie de Phalsbourg, has been selected to design the flagship building for the Léon Blum district, adjacent to the future Line 15 station of the Grand Paris Express. The competition featured eight teams, including Snøhetta, Valode et Pistre, Stefano Boeri, Sou Fujimoto, and Jean-Paul Viguier. The winning project is a mixed-use building of over 20,000m², featuring a green wall and incorporating bio-sourced materials. The project is part of a broader urban development strategy for Issy-les-Moulineaux, an extra-wall area of Paris currently undergoing significant transformation.
French architect Anne Lacaton, recipient of the 2021 Pritzker Architecture Prize,has been awarded the 2025 Jane Drew Prize for Architecture, an annual accolade recognizing an architect whose work and commitment to design excellence have contributed to raising the profile of women in architecture. Part of the W Awards, the prize honors figures who have advanced architectural practice through innovation, advocacy, and impact. Lacaton, co-founder of the Paris-based practice Lacaton & Vassal, was selected for her pioneering approach to sustainable and socially responsible architecture.
Humanity's fascination with the unknown is a timeless impulse, rooted in curiosity and the desire to push boundaries, uncover mysteries, and open doors to new frontiers. What were once represented by voyages and the discovery of new islands and continents are now pursued in the vastness of the Universe. As we seek answers, provoke new questions, and open doors to endless possibilities, this drive continues to inspire. It has shaped countless literary and cinematic works, transforming interstellar exploration from a science fiction concept into a vision increasingly grounded in reality.
One such visionary project is Project Hyperion, spearheaded by the Initiative for Interstellar Studies (i4is), which challenges humanity to develop practical solutions for interstellar travel through a design competition. By envisioning generation ships—vast, self-sustaining habitats capable of supporting multigenerational societies on journeys spanning centuries—the project not only pushes the boundaries of technology but also sparks social innovation, stretching the limits of our collective imagination. There is still time to submit your design by March 9th, with Phase 2 starting on May 4th.
A radiant Rio de Janeiro, bathed in sunlight and carried by the ocean breeze. The beach is full of life—children run across the sand, families enjoy their time together, and laughter drifts through the air. This vibrant postcard from the 1970s, depicting a Cidade Maravilhosa exuding freedom and vitality, sets the stage for "I'm Still Here," a Brazilian film that film which recently won the Oscar for Best International Feature, marking a first for Brazilian cinematography. Further recognizing its merits, the film also received Oscar nominations for Best Actress and Best Picture. The film's setting provides a rich backdrop for exploring the urban landscape of Rio during a pivotal period in its history. As the story unfolds, this bright and open setting gives way to the architectural and urban impacts of the fear and uncertainty of the military dictatorship that ruled Brazil for over two decades.
Design disciplines, like user experience (UX) design, have evolved to excel at devising experiences that make digital interfaces navigable. They accomplish this through a deep understanding of user needs and by mapping user journeys with meticulous attention to detail. The city represents a physical interface experienced by multiple users - residents, tourists, people of various ages and genders each experiencing it uniquely. In a time where digital interfaces are crafted for frictionless user experiences, why do many cities remain challenging to navigate?
Renzo Piano Building Workshop (RPBW), in collaboration with Holger Meyer Architekten, has won the competition for the new Midstad project in Frankfurt. Led by Joost Moolhuijzen and Erik Volz, the design reimagines the future of European city centers as resourceful and multifunctional. The project involves a 35,000 m² rehabilitation of an existing department store on the Zeil in Frankfurt's city center, integrating a six-story mass timber extension and a mixed-use, community-driven program. The project involves reconstruction during ongoing operation, partial demolition, and the expansion of the existing department store.
A new site-specific pavilion has been unveiled in Bradford city centre as part of the 2025 UK City of Culture celebrations. Designed by artist Zarah Hussain and architectural designer Fatima Mejbil, Infinite Light marks the beginning of the holy month of Ramadan and the launch of Ramadan Festival 2025. The project has been commissioned by the Ramadan Tent Project in collaboration with Bradford 2025 and follows the inaugural Ramadan Pavilion designed by Shahed Saleem in 2023.
Continuing our annual tradition, we asked our readers who they believe should be awarded the 2025 Pritzker Prize, architecture's most prestigious honor.
Founded by Jay Pritzker and administered by the Hyatt Foundation in the United States, the Pritzker Prize recognizes living architects, regardless of nationality, whose work has made a lasting and meaningful impact on humanity through the art of architecture.
Education has long been a driving force in the Middle East, shaping knowledge, encouraging innovation, and strengthening cultural identity. In recent years, educational architecture in the region has expanded beyond its academic function, evolving into public gathering spaces and cultural hubs. These institutions are designed not only for learning but also for dialogue, research, and collaboration, often integrating open courtyards, multi-use public areas, and architectural elements that reflect local heritage. Whether through their physical openness, adaptability, or connection to the urban environment, these spaces reinforce the idea that universities and research centers are essential to civic life.
Ecuador, though a relatively small country in terms of land area, boasts a vast and diverse range of ecosystems and natural landscapes, including the Andes mountains, the Pacific coastline, and the Amazon rainforest. This makes the natural environment a key player, shaping its relationship with the built environment and demanding that architecture seamlessly integrate with and respect its context.
Over the years, Ecuadorian architecture has developed its own identity, successfully adapting to these diverse settings. Various construction techniques have been implemented, relying on locally sourced materials to create spaces and shelters in complete harmony with the landscape. Amid the growing trend of seeking a closer connection with nature, architecture in different regions of Ecuador has had to adjust to these conditions.
Often admired for its simplicity and ability to clearly communicate via scribbles on an espresso martini-stained napkin, the napkin sketch is perhaps one of the most recognized forms of creative leadership in the industry. Not only is it iconic, but this type of early-stage, iterative sketch helps to set project direction in a fast, easy, and effective way. However, the work that follows to translate that sketch into design (and ultimately win work) often robs firms of a profitable early-stage design phase.
Zaha Hadid Architects (ZHA) has been announced as the winner of the international design competition for the Napoli Porta Est masterplan, a large-scale urban regeneration project in Naples, Italy. The project, which includes the new Campania Region headquarters, aims to reconnect fragmented urban areas and revitalize a district that has long been considered isolated and unsafe due to inadequate public spaces and physical barriers.
The Van Nelle Factory, located in Rotterdam, is one of the most significant examples of Modernist Industrial Architecture. Designed by Johannes Andreas Brinkman and Leendert van der Vlugt between 1925 and 1931, with the involvement of Mart Stam — a pioneer in modernist furniture design and architecture — the factory was conceived as a progressive and functional building for processing coffee, tea, and tobacco.
Envisioned as a "daylight factory", the Van Nelle complex introduced revolutionary architectural and social concepts for its time. By integrating glass, steel, and concrete into an open, rational layout, it demonstrated how design could transform industrial processes while improving the lives of the people within. It was not merely a space for production but a symbol of optimism, representing the potential of architecture to reshape industries and communities.
Guardrails and windscreens play an essential role in contemporary architecture, combining safety, functionality, and aesthetic appeal. These systems are crucial for protecting elevated spaces like balconies, terraces, and staircases, incorporating materials such as tempered laminated glass, stainless steel, aluminum and innovative fastening systems. This allows for transparency and unobstructed views without compromising safety. They also feature customizable options, including top caps, handrails and integrated lighting, enabling architects to create unique, visually striking spaces that meet both practical and aesthetic goals.
Essentially, a guardrail system is a carefully designed assembly of components, each playing a vital role in ensuring safety and aesthetics. Beyond the desired visual impact, these systems must be highly reliable and safe to fulfill their primary function. At the core of the system is the guardrail components, providing support and guidance, with infill options, including, glass panels, bar/tube or cables balancing safety and style. Base shoes, a type of guardrail system, anchors glass infill panels to the structure, ensuring durability and precision. Optional handrails, can either be post mounted or mounted directly to the glass, while top rails provide an aesthetic touch while protecting the top edge of the glass and helping with glass alignment.
Canada's Expo 67 stands as one of the most successful world expos ever held, setting records and leaving an enduring impact on Montreal's urban landscape. As part of Canada's 100 years celebrations, the event provided an opportunity for the city to showcase its cultural and technological achievements on a global platform. With over 50 million visitors in just six months, it shattered attendance records, including an astonishing 569,500 visitors in a single day. An unprecedented feat for a world fair at the time. Now, 58 years later, and with the Osaka Expo 2025 set to showcase how to design the future society for our lives, it is worth revisiting the legacy of Expo 67 and exploring the urban transformations it brought to Montreal.
The Istanbul Foundation for Culture and Arts (İKSV) has appointed Christine Tohmé as the curator for the 18th Istanbul Biennial, which will take place in three phases over three years from 2025 to 2027. According to the Biennial Foundation, this edition was postponed from 2024 by the Istanbul Foundation for Culture and Arts (İKSV). This Biennial remains Türkiye's largest international exhibition dedicated to contemporary art, offering a significant platform for artists globally. Titled The Three-Legged Cat and will unfold in three distinct phases, exploring themes of self-preservation and futurity, reflecting Tohmé's curatorial approach of engaging deeply with artistic production and local communities.
