In recent years, the Argentine architectural field has been shaped by a group of young architects striving to create architecture that responds innovatively to contemporary needs and, above all, to local contexts. Adding their individual perspectives and interests, among them, we can highlight the work of architects Tomás Balparda and Fernando Brunel.
Ricardo Scofidio, a distinguished figure in the world of architecture, passed away on March 6, 2025, at the age of 89. Born in New York City in 1935, Scofidio co-founded the influential architecture firm Diller Scofidio + Renfro (DS+R) with his partner Elizabeth Diller in 1979. Together, they brought to the profession a conceptual art sensibility, influencing the design of globally recognized cultural landmarks and public spaces. Among their most notable projects are the High Line in Manhattan and the transformation of Lincoln Center, each reflecting the studio's ambition of challenging conventional architectural premises.
In a world facing resource scarcity, rapid digital transformation, and evolving societal demands, the need for dynamic dialogue between architects, designers, product developers, and manufacturers has never been more crucial. In 2025, the ICONIC AWARDS will take things further with an expanded and refreshed platform that unites architecture, interior design, and product innovation—spanning from buildings to furniture—all under one roof. The German Design Council is merging the former "Innovative Architecture" and "Interior Products" awards to create a powerful new stage for visionary ideas and groundbreaking solutions.
In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.
This month's architecture news highlights a strong focus on sustainability, adaptive reuse, and innovative community-centered design. From environmentally responsive urban developments to cultural and recreational spaces, architects are redefining how buildings interact with their surroundings. Notable examples include 3XN's Sydney Fish Market redevelopment, which integrates public accessibility with climate-sensitive design, and CambridgeSeven's Seneca Park Zoo expansion, which blends conservation efforts with immersive visitor experiences. Whether it's the creation of high-performance sports facilities in Portland or the transformation of historic sites into contemporary hubs, these projects showcase the evolving role of architecture in shaping communities. Read on to discover the latest architectural news and developments.
Boston City Hall, one of the most debated examples of Brutalist architecture in the United States, has significantly transformed since its conception. Designed by Kallmann, McKinnell, and Knowles and completed in 1968, the fortress-like concrete exterior and geometric austerity have long divided public opinion. Critics, including a former mayor, called for its demolition for decades arguing that its imposing design was inhospitable, inefficient, and most importantly, not beautiful. However, rather than tearing it down, Boston has chosen to renovate and revitalize the structure, demonstrating that contested Brutalist architectural styles can be adapted for a more sustainable future.
The façade of any building is more than just its exterior; it serves as a canvas that not only enhances the structure's appearance but also reflects its inner essence and character. The exterior façades category encompasses a broad variety of finishes and systems, including renders, and decorative coatings, designed to protect buildings while adding aesthetic value, blending functionality with visual appeal in perfect harmony. These finishes are crucial in defining the architectural character and energy efficiency of residential, commercial, and industrial structures.
The global exterior façade finishes and coatings industry is witnessing significant growth, driven by: increasing construction activities related to rapid urbanization and development; accelerated renovation projects; the adoption of energy-efficient building and sustainable construction practices; and the rising demand for aesthetically pleasing and durable building exteriors. It is projected to grow with a strong CAGR of 9% between 2023-2030, as per the Exterior Architectural Coating Market 2024 report by 360iResearch.
The Luxembourg pavilion at the 19th Venice Architecture Biennale will offer visitors an experience focused entirely on sound. Sonic Investigations, curated by architects Valentin Bansac, Mike Fritsch, and Alice Loumeau, is an immersive invitation to shift focus from the visual to the sonic. The sound installation, located in the Arsenale's Sale d'Armi, is based on a practical and theoretical investigation that re-examines the country's territory through field recordings capturing a range of sounds from biological, geological, and anthropogenic sources woven into the landscape. The installation creates an embodied experience of space, emphasizing the value of sensorial approaches in spatial practices and exploring the question: How can we reveal the entangled character of specific contemporary situations in Luxembourg?
BIG (Bjarke Ingels Group) has unveiled plans for Bhutan's Gelephu International Airport, a project that aims to combine traditional craftsmanship with contemporary design. As the country's second international airport, it is a key component of the Gelephu Mindfulness City (GMC) masterplan, designed to accommodate future growth while reflecting Bhutan's cultural and environmental values.
Despite its small size, the island of Taiwan is densely populated, with more than 80% of its people living in urban areas. Available space is often limited, particularly in major cities like Taipei, Taichung, and Kaohsiung. Therefore, designers face the ongoing challenge of creating interiors that feel spacious, functional, and visually appealing despite their sometimes compact footprints. Rather than seeing these limitations as constraints, architects embrace them as opportunities to experiment with smart layouts and multi-functional furniture that enhances livability.
The Biennale d'Architecture et de Paysage d'Île-de-France is the most significant architectural exhibition in France. For its third edition, Sana Frini, from the Mexican firm LOCUS, and Philippe Rahm, from the French firm PHILIPPE RAHM ARCHITECTES, have been selected as co-curators of the exhibition at the École Nationale Supérieure d'Architecture de Versailles. The exhibition will take place in the stables of the Château de Versailles from May 7 to July 13, 2025.
Many people living in large urban centers have, at some point, wished to trade the chaos of city life for the calm and tranquility of nature. As the desire for such experiences grows, Latin American countries' tourism and hospitality sectors have been investing in resorts nestled within forests. Inspired by eco-tourism, these retreats are designed to blend seamlessly into their surroundings, using local materials and traditional techniques that respect the ecosystem and promote sustainability.
The United Center arena in Chicago, designed by HOK Sport (now Populous), Marmon Mok, and W.E. Simpson Company, was built between 1992 and 1994. With a capacity of over 20,000 seats for sports and general events, it includes more than 6,000 parking spaces in lots surrounding the arena. These parking lots span approximately 55 acres (over 22 hectares) in Chicago's West Side (1901 W. Madison Street). A new master plan, named the 1901 Project, aims to transform this space into a mixed-use neighborhood. Led by design collective RIOS, with contributions from landscape architecture studio Field Operations, this long-term, multi-phase project aims to connect neighborhoods by creating new public spaces and infrastructure on a metropolitan scale. The proposal recently received approval from the Chicago Plan Commission.
Pakistan has unveiled its national pavilion for the 19th International Architecture Exhibition - La Biennale di Venezia, set to take place from May 10 to November 23, 2025, in Venice, Italy. Titled (Fr)Agile Systems), the pavilion explores the dual nature of resilience and vulnerability in the face of climate change, using Pakistan's rich geological and cultural heritage as a lens to examine global environmental inequities. Through a striking installation featuring rock salt, a material shaped by time yet susceptible to change, the pavilion challenges dominant narratives of climate adaptation, advocating for localized, nature-based solutions rather than one-size-fits-all approaches.
Chinese architect and educator Liu Jiakun has been announced as the laureate of the 2025 Pritzker Architecture Prize, the highest honor in the architecture field. This prestigious award recognizes Jiakun, founder of Jiakun Architects (established 1999), for his ability to blend traditional Chinese elements with contemporary design and for his commitment to social equity in the built environment. Born in Chengdu, China, where he continues to live and work, he becomes the second Chinese architect to receive the accolade, following Wang Shu (2012). Jiakun joins a distinguished list of previous laureates including Riken Yamamoto in 2024, David Chipperfield in 2023, and Francis Kéré in 2022. The award ceremony will be held this spring at the Jean Nouvel-designed Louvre Abu Dhabi, with a global video release of the presentation this fall, followed by the 2025 Laureates' Lecture and Symposium in May.
The 2025 Pritzker Prize has been awarded this year to Chinese Architect Liu Jiakun. Born in Chengdu in 1956, he grew up in the densifying city, before attending and graduating from the Chongqing Architecture and Engineering College (Chongqing University) in 1982 with a Bachelor of Engineering degree in Architecture, and becoming one of the first college graduates to be tasked with rebuilding the country during the Chinese transition period. However, it wasn't until many years later that the architect understood that "the built environment could be used as a medium for personal expression". It was then that his endeavors and career took off, with Liu Jiakun starting his practice in 1999, and participating in more collaborative works across China and Europe. Based on his experiences, his works are anchored in his understanding of reality and a respect towards China's multi-traditional history and internal diversity; all while achieving a seamless balance between architecture and nature, tradition and modernity.
These concepts do not obstruct his consciousness of human needs and the importance of community spaces. Through his projects, Liu Jiakun proves that spaces can affect human behavior and become positively evocative. A public space such as those he's created can be conducive to a benevolent atmosphere that provides rest and collaboration. "such as my pursuit of narrative and poetry in design." The comprehensiveness of Liu Jiakun's works makes it easy not to be constrained by stylistic or aesthetic limitations or requirements. He just follows what the site, natural landscape, pre-existing urban frame, and citizen needs might require. The physical result is a mix of all of these with the predominant vernacular traditions.
Liu Jiakun, the 2025 Pritzker Prize winner, has spent decades redefining Chinese architecture by combining utopia with function and social engagement with personal memory. His buildings are reflections of the everyday lives of ordinary people, crafted with an understanding of place, culture, and materiality. Rejecting the pursuit of a fixed architectural style, Jiakun believes in a strategy rather than a signature aesthetic, tailoring each project to its specific context and needs. His work integrates history with contemporary urban needs, collectivism with individual experience, and density with openness, offering timely solutions to the challenges of rapid urbanization.
Jiakun's approach is deeply rooted in Chinese philosophy, common sense, and local craftsmanship, ensuring that architecture grows naturally from its surroundings rather than being imposed upon them. His buildings reflect an authenticity that speaks to both past and present, avoiding grand gestures in favor of spaces that foster interaction, spirituality, and human connection.
The Jewish Museum in Berlin, designed by Daniel Libeskind, employs synesthesia to evoke feelings of disorientation, loss, and memory through fragmented geometry, contrasting lighting, and material choices. Inspired by a shattered Star of David, the building guides visitors through slanted and narrow corridors, creating instability and discomfort. Light, either filtered through slits or almost entirely absent in certain areas, reinforces the oppressive atmosphere. The raw concrete, with its cold and rigid texture, intensifies this experience, while the void resonates with echoes and silence. In the Shalekhet (Fallen Leaves) space, metal plates shaped like faces emit unsettling sounds when stepped on, creating a disturbing auditory experience. The museum transcends its function as an exhibition space and becomes an immersive architectural experience, where light, sound, texture, and form combine to convey the pain and memory of the Holocaust.
Architecture is a discipline that evolves through progressive stages, with each phase building upon the previous one. Schematic design, for example, begins with broad concepts and initial explorations, followed by site analysis, sketches, and 3D models, with adjustments made along the way. The true challenge lies not just in following this sequence but in balancing speed, quality, and efficiency to navigate the trade-off between time and quality. In this context, the integration of generative artificial intelligence in the built environment reshapes architectural dynamics by assisting architects and creating space for more experimentation and exploration. Its impact is especially significant in rendering, which was previously a constraint at different project stages—particularly during concept development. Today, however, AI-powered architectural rendering operates smoothly, allowing more focus on creative problem-solving through innovative tools and strategies.
Following an international competition, Polish American architect Daniel Libeskind's firm, Studio Libeskind, in collaboration with La Compagnie de Phalsbourg, has been selected to design the flagship building for the Léon Blum district, adjacent to the future Line 15 station of the Grand Paris Express. The competition featured eight teams, including Snøhetta, Valode et Pistre, Stefano Boeri, Sou Fujimoto, and Jean-Paul Viguier. The winning project is a mixed-use building of over 20,000m², featuring a green wall and incorporating bio-sourced materials. The project is part of a broader urban development strategy for Issy-les-Moulineaux, an extra-wall area of Paris currently undergoing significant transformation.
French architect Anne Lacaton, recipient of the 2021 Pritzker Architecture Prize,has been awarded the 2025 Jane Drew Prize for Architecture, an annual accolade recognizing an architect whose work and commitment to design excellence have contributed to raising the profile of women in architecture. Part of the W Awards, the prize honors figures who have advanced architectural practice through innovation, advocacy, and impact. Lacaton, co-founder of the Paris-based practice Lacaton & Vassal, was selected for her pioneering approach to sustainable and socially responsible architecture.
Humanity's fascination with the unknown is a timeless impulse, rooted in curiosity and the desire to push boundaries, uncover mysteries, and open doors to new frontiers. What were once represented by voyages and the discovery of new islands and continents are now pursued in the vastness of the Universe. As we seek answers, provoke new questions, and open doors to endless possibilities, this drive continues to inspire. It has shaped countless literary and cinematic works, transforming interstellar exploration from a science fiction concept into a vision increasingly grounded in reality.
One such visionary project is Project Hyperion, spearheaded by the Initiative for Interstellar Studies (i4is), which challenges humanity to develop practical solutions for interstellar travel through a design competition. By envisioning generation ships—vast, self-sustaining habitats capable of supporting multigenerational societies on journeys spanning centuries—the project not only pushes the boundaries of technology but also sparks social innovation, stretching the limits of our collective imagination. There is still time to submit your design by March 9th, with Phase 2 starting on May 4th.
A radiant Rio de Janeiro, bathed in sunlight and carried by the ocean breeze. The beach is full of life—children run across the sand, families enjoy their time together, and laughter drifts through the air. This vibrant postcard from the 1970s, depicting a Cidade Maravilhosa exuding freedom and vitality, sets the stage for "I'm Still Here," a Brazilian film that film which recently won the Oscar for Best International Feature, marking a first for Brazilian cinematography. Further recognizing its merits, the film also received Oscar nominations for Best Actress and Best Picture. The film's setting provides a rich backdrop for exploring the urban landscape of Rio during a pivotal period in its history. As the story unfolds, this bright and open setting gives way to the architectural and urban impacts of the fear and uncertainty of the military dictatorship that ruled Brazil for over two decades.
Design disciplines, like user experience (UX) design, have evolved to excel at devising experiences that make digital interfaces navigable. They accomplish this through a deep understanding of user needs and by mapping user journeys with meticulous attention to detail. The city represents a physical interface experienced by multiple users - residents, tourists, people of various ages and genders each experiencing it uniquely. In a time where digital interfaces are crafted for frictionless user experiences, why do many cities remain challenging to navigate?
