In a recent interview with Louisiana Channel, acclaimed Japanese architect Shigeru Ban shared his perspectives on architecture, his journey in the field, and his dedication to socially responsible design. Known for his innovative use of materials such as paper and timber, Ban has spent much of his career creating solutions for disaster-stricken communities and displaced populations around the world.

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The construction industry, traditionally reliant on the intensive use of non-renewable natural materials, is at a decisive moment to reevaluate its processes and mitigate its significant environmental impact. How can the growing demand for infrastructure, housing, healthcare, and education be met without depleting natural resources? While recycling initiatives are gaining traction, they remain insufficient. In this context, more innovative solutions are emerging, proposing the use of agricultural waste, such as sugarcane bagasse, to create sustainable and disruptive alternatives for construction.

Phyllis Lambert has been a key figure in the preservation of Canada's cultural heritage. As an architect and advocate for heritage conservation, Lambert has left an indelible mark in Montreal and other cities worldwide. Her contributions to Montreal's architectural scene can't really be judged in terms of individual buildings, but rather in terms of the city as a whole. She not only cofounded the Canadian Center for Architecture (CCA), but also helped reshape the way cities like Montreal think about heritage and the importance of community voices in urban planning.

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The evolution of bathrooms into their modern configuration traces back to ancient civilizations like the Ottoman and Roman, where sanitation held significant cultural importance. During the Middle Ages, however, personal hygiene practices declined, setting back developments in sanitation until the Renaissance revived interest in cleanliness. This shift paved the way for key innovations in the 18th century, including modern plumbing systems that enabled the widespread adoption of modern sanitation spaces. Today, it's unimaginable to design an architectural project without incorporating these facilities, highlighting the essential role of hygiene and well-being, now closely tied to technological advancements.

Devastating wildfires across Los Angelesa have resulted in widespread destruction, displacing thousands of residents, and necessitating a rapid and efficient rebuilding process. Two executive orders have been issued to expedite the rebuilding process, one by Los Angeles Mayor Karen Bass and another by California Governor Newsom, both intending to remove significant regulatory hurdles and expedite project approvals.

The demolition of Hotel Jugoslavija, a notable example of modernist architecture in Belgrade, has begun, making way for new development in the city's rapidly changing urban landscape. Constructed in 1969 in New Belgrade, the hotel was once among the largest and most prominent in Europe, reflecting the aspirations of the Socialist Federal Republic of Yugoslavia (SFRY) during its peak. Designed by Zagreb architect Lavoslav Horvat, the eight-story hotel was a key project under the leadership of Josip Broz Tito. It showcased the modernist principles of the time, combining functionality with imposing architectural forms. Its interiors featured luxurious details, including a Swarovski chandelier comprised of 40,000 crystals, which underscored the building's significance as a flagship of Yugoslavia's international presence.

Museums and cultural centers hold a unique position in society as spaces for learning, community, and connection. They serve as platforms for preserving history and engaging the public with new ideas and perspectives. Architecture plays a key role in shaping these experiences, providing the physical and emotional framework that enhances how people interact with art, culture, and each other. From monumental structures to more intimate designs, these cultural buildings have the potential to reflect local identities, champion sustainability, and inspire visitors while creating lasting cultural landmarks.

From Los Angeles to Turku and Vinh Long, this collection of conceptual museum and cultural center designs submitted by the ArchDaily community highlights the diversity and creativity of unbuilt projects. Each month, ArchDaily's editors select a collection of conceptual projects centered around a specific theme or program, submitted by architects from across the globe. In this collection, proposals range from a children's museum expansion in the United States to a sustainable agricultural museum in Vietnam, all showcasing how architecture can respond to distinct local contexts while fostering universal themes of education, play, and discovery. Whether celebrating archaeological heritage in Cyprus or reimagining public spaces in Finland, these projects explore how museums can serve as cultural hubs that engage and uplift their communities.

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For decades, the life cycle of buildings was a simple formula: planning, design, construction, demolition, and, of course, the great villain in this history: the landfill. Over time, architectural practice began embracing concepts like reuse, disassembly, and circular demolition, but often as secondary elements, part of the gradual shift toward a circular economy in construction. But what if these principles were no longer exceptions? What if we crafted or chose every building component to maintain value and purpose beyond its original use? The truth is, there is life after demolition. This transition—from demolition to practices focusing on reuse, repurposing, and sustainable dismantling—is edging closer to reality. By the time 2030 arrives, we could fundamentally reshape how we approach processes, buildings, and the market itself. As these changes unfold, we must assess how our strategies align with the evolving goals and challenges related to sustainability—and, of course, the new opportunities they bring.

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Architects from all over the world are invited to participate in the "Best House in the World" competition, a new international contest designed to discover and reward innovative residential architectural designs that have not yet been built and are still in development. The inHAUS brand, with the sponsorship of Geberit, Porcelanosa, Schüco, Joquer and S&P, presents the challenge of industrialized construction for the most daring and creative projects. These are real projects, with actual clients and real plots, designed by architects striving to achieve new standards of excellence and quality in their residential constructions. Dare to challenge the innovative off-site construction system by inHAUS!

The Danish Architecture Center (DAC) will open its new exhibition, "Water is Coming" in October 2024, remaining open until March 12, 2025. The exhibition addresses the escalating global water crisis, prompted by melting polar ice, rising groundwater levels, and increasingly frequent and intense flooding. It acknowledges the reality of rising sea levels and extreme weather events, shifting the focus from mitigation to adaptation. The exhibition aims to foster a deeper understanding of our complex relationship with water, exploring its vital role as both a life-giving resource and a potential threat to human settlements.

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Photographer Paul Clemence captured a striking photo series of the Bioparque Pantanal, also known as the Pantanal Aquarium, a recently completed architectural project in Campo Grande, Brazil, designed by the late architect Ruy Ohtake. Located within the Parque das Nações Indígenas, one of the largest urban parks in the country, the structure serves as a centerpiece for cultural, scientific, and ecological exploration in the state of Mato Grosso do Sul. Clemence's photography highlights the interplay between the aquarium's architectural design and its surrounding environment, providing a visual documentation of the project's form, materials, and spatial organization.

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Opened in October 2024, the Järva Cemetery offers everyone, regardless of faith or beliefs, a space for remembrance, continuing Stockholm's long tradition of funeral history. After overcoming significant planning obstacles, the site, designed by Kristine Jensen Tegnestue and Poul Ingemann, was created to accommodate burials and funeral ceremonies, with options for coffins, urns, ash groves, and a commemorative forest. During the last edition of Open House Stockholm, visitors could explore its surrounding natural landscapes and connect with the space.

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Much before humans constructed their first permanent shelters, they discovered the protective power of animal hides as a barrier against harsh environmental conditions. This fundamental principle of building with flexible materials finds influence in the architecture of today, despite the lack of strong precedents that have been lost to time. Textiles served as humanity's first architectural elements, predating ancient construction methods like stone masonry. The relationship between textiles and shelter would go on to shape the entire history of architecture, from prehistoric settlements to modern skyscrapers. What lessons might these ancient origins of architecture hold for future advancements in building design?

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Over the past two decades, the Holcim Foundation Awards has committed USD 20M to spotlight transformative projects by architects, designers, and engineers who pioneer sustainable design and construction practices. To capture these stories, the Foundation launched a short film series titled Words with Winners.

This series provides an in-depth look at award-winning sustainable design projects through exclusive interviews with their creators. It includes the first film to showcase BRAC University campus, recently completed in Dhaka, featuring an exclusive interview with the lead architect and co-founder of Singaporean green building specialists WOHA Wong Mun Summ.

Maria Lisogorskaya and Kaye Song from the London-based collective Assemble, along with Lviv-based architects Anna Pomazanna and Mykhailo Shevchenko, have been announced as the 2025 Experimental Fellows at Bauhaus Earth. Selected from 120 submissions, their projects are set to explore earth as a material in contemporary architecture. The annual Bauhaus Earth Fellowship program was established in 2022 by architect Prof. Regine Leibinger. It aims to support diverse projects that explore new modes of practice across various geographies, that can contribute to ecological and social resilience. Fellows receive financial support, mentorship, and access to a network encouraging collaboration among architects, manufacturers, and local stakeholders.

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Discussing adaptive reuse involves exploring multiple fields of action and disciplines, interpreting opposing perspectives and opinions from various stakeholders, and even sparking the reactivation or revitalization of certain spaces in favor of communities. In recent years, notable projects have emerged, such as the conversion of factories and industrial warehouses, as well as the transformation of industrial structures into modern offices. Adaptive reuse of existing buildings has continued to evolve and expand globally throughout 2024, aiming to improve the quality of life for residents while also contributing to environmental sustainability.

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As we close the chapter on 2024, a review of ArchDaily's extensive database projects highlights a few standout interior design trends that defined the year. Among these is the use of stainless steel, often paired with concrete and shades of grey, creating interiors with a refined, industrial elegance. This article delves into the increasing prominence of stainless steel as an interior element, exploring its applications, pairings, and growing appeal despite lingering perceptions of its cold, industrial nature.

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The housing crisis, the need for effective land management policies, and the growing demand for housing aid are global challenges, and Spain has taken significant steps to address these issues in recent years. While this effort is closely tied to rehabilitating obsolete buildings, it also tackles the challenges of densification and gentrification. These factors have prompted the exploration of new housing models and ways of living, leading to the development of affordable residential buildings designed to accommodate large numbers of inhabitants while maintaining high-quality living standards.

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The Phasing Animation feature in D5 Render 2.9 redefines how professionals present complex projects. It simplifies the creation of dynamic, step-by-step visualizations, perfect for showcasing construction phases, product assemblies, and landscape transformations. With pre-designed templates like Drop/Rise or Ascend/Descend, users can quickly arrange objects in sequence without the need for complex keyframing, making it easier to illustrate how a structure is built, how a product is installed, or how elements grow and evolve within a landscape.

Stanton Williams has been selected to design the Fleming Centre, a state-of-the-art research and public engagement facility to be constructed on the St Mary's Hospital campus in Paddington, London. Announced by the Royal Institute of British Architects (RIBA), the project aims to create a global hub for collaboration and innovation in addressing antimicrobial resistance (AMR), a significant healthcare challenge affecting populations worldwide. The Fleming Centre forms part of the broader Fleming Initiative, a joint venture between Imperial College Healthcare and Imperial College London.

Nestled near the ruins of Fonthill Abbey in the English countryside, Upper Lawn Pavilion — also known as the Solar Pavilion — is a modest yet profound architectural experiment by Alison and Peter Smithson. Built between 1959 and 1962 as a weekend retreat and laboratory for ideas, the pavilion embodies their ethos of economy, material honesty, and respect for context, reflecting the pioneering spirit of New Brutalism.

Upper Lawn's thoughtful interplay between the new and the existing is particularly compelling. Built on the remains of an 18th-century English farmhouse, the pavilion repurposes thick masonry walls from the original structure, incorporating elements such as the well, trees, and lawn into its design. Using prefabricated materials like timber, glass, and aluminum, the Smithsons constructed a light-filled space that harmonizes with its surroundings, embodying their principle of "as found architecture" — a concept rooted in honoring and adapting to preexisting conditions rather than imposing on them.

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Religious architecture in Asia is evolving by incorporating modernist influences while preserving its spiritual essence. Clean lines, minimalist aesthetics, and materials like concrete, steel, and glass are a common sight. These interventions often replace or complement the intricate ornamentation and natural materials traditionally associated with sacred spaces in the region. This approach allows these structures to achieve a universal appeal while still reflecting their cultural and spiritual foundations.

Several examples highlight this blend of tradition and modernity. The Cloud of Luster Chapel in Japan uses slender columns and abundant natural light to create a luminous atmosphere, evoking Frank Lloyd Wright's Johnson Wax Building. The Temple of Steps in India incorporates cascading steps that emulate the traditional Ghats, combining cultural symbolism with Brutalist aesthetics. Similarly, the Water-Moon Monastery in Taiwan employs concrete, straight lines, and reflective pools in a manner influenced by Le Corbusier's Five Points of Architecture. Finally, the Jetavana Buddhist Temple in South Korea and the Upper Cloister in China integrate their layouts with the surrounding stone and hillside, drawing parallels to Wright's desert houses. Together, these projects demonstrate how Asian religious architecture is redefining sacred spaces through a modernist lens while honoring their traditional heritage.

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On Tuesday morning, wildfires erupted in the Pacific Palisades, one of Los Angeles' wealthiest neighborhoods. The catastrophic fire left a significant mark on the infrastructure and neighborhoods of Los Angeles, resembling a war-torn landscape by the morning of January 8, 2025. Iconic locations along Sunset Boulevard transformed into scenes of devastation, with charred buildings. Over 2,000 structures have been destroyed, displacing tens of thousands of residents and sparking urgent appeals for access to homes for medication retrieval. Several hotels in Los Angeles have been taking in displaced residents.

Architecture works such as the celebrated Case Study Homes, the Getty Villa museum and significant works by architects like Richard Neutra, Eero Saarinen, A. Quincy Jones, Charles and Ray Eames, and Charles Moore are all now under threat from the fires fueled by strong Santa Ana winds and drought conditions.

Following an international design competition, the winning proposal for the new Nikola Tesla Museum in Belgrade, Serbia, was announced. Designed by Zaha Hadid Architects (ZHA) in collaboration with Serbia's Bureau Cube Partners, the project seeks to transform the historic Milan Vapa Paper Mill into a contemporary cultural center that celebrates Nikola Tesla's scientific achievements while preserving the site's architectural heritage.