This article was originally published on Common Edge.
Architecture mirrors the culture it is built from, while simultaneously aspiring to lead that culture. This is almost oxymoronic, since reflecting and projecting our values is an essential part of every human life, and architecture is exquisitely human. Our buildings embody us, with all of our mixed messages.
This year's Milan Design Week brought together designers, architects, producers, and key figures from the design world. The events were divided between the Salone del Mobile at Rho Fiera, a trade fair with over 1950 exhibitors, and Fourisalone, featuring various events across Milan. With numerous installations throughout the city and a wide range of events, conferences, and debates, Milan Design Week stands as one of the most significant design-focused events worldwide. For architects, this represents an opportunity to not only exchange ideas but also to actively contribute through collaborations and explorations across disciplines.
This year, many internationally recognized architects have entered collaborations with furniture and light design companies, exploring the intersection of design and architecture. Despite the change in scale, many of these products reflect the recognizable architectural language of their designers, offering an insight into the principles that guide their practice. In addition to aesthetic explorations, many of the products selected are tackling important themes of interest, from the need to develop more sustainable materials with a reduced carbon footprint, to the potential impact of new technologies such as artificial intelligence.
SO-IL, in partnership with Detroit’s Library Street Collective, has revealed the design for a new arts campus in the Stanton Yards marina on the Detroit River. The office is leading the adaptive reuse of four existing pre-war industrial buildings at Stanton Yards with the aim of creating a campus for arts organizations, creative retail, artist studios, and independent hospitality ventures along the waterfront. The master plan for the 13-acre site is led by design firm OSD (Office of Strategy + Design), a development that strives to transform the now-disused waterfront area into a 'dynamic cultural amenity' with over 80,000 square feet of commercial and creative space, 85 boat slips, and programmed waterfront parks. The project aims to expand upon the program of Detroit's Little Village, a diverse arts neighborhood recognized for its cultural and artistic scene.
We Design Beirut, Lebanon’s four-day design experience will take place from May 23-26, 2024. This multidisciplinary event aims to showcase and celebrate design and creativity through a varied program, including showcases, installations, talks, and workshops. Founded by Mariana Wehbe in collaboration with industrial designer Samer Alameen, the event seeks to foster a global conversation on design and sustainability through programs in the fields of interior design, architecture, furniture, product design, functional art, ceramics, and home accessories.
There’s a well-known catchphrase – “Cape to Cairo” – that has spawned numerous books and piqued the imagination of countless travellers of the African continent. The phrase’s origins are of imperial nature, birthed out of an 1874 proposal by English journalist Edwin Arnold that sought to discover the origins of the Congo River. This project was later taken up by imperialist Cecil Rhodes, who envisioned a continuous railway of British-ruled territories that stretched from the North to the South of the continent.
Following an international competition, Steven Holl Architects has been selected as the winner of the commission for the Expo Albania convention center and hotel in Tirana, Albania. The winning team, comprised of Steven Holl Architects, artist Agnieszka Kurant, Atelier 4, Atelier Markgraph, Stoss, and Arup, proposes an iterative process, collecting signatures from local Tirana communities and fusing them into a single wandering line, a continuation of artist Agnieszka Kurant’s project “End of Signature”.
Foster + Partners’ development in Bankside, London, has just been granted planning approval. Designed in collaboration with Lipton Rogers and real estate developer Hines, the Southwark Council has just agreed to proceed with the development. Titled “18 Blackfriars Road”, the project aims to revitalize a neglected two-acre brownfield site that has sat vacant for two decades.
In the Brazilian architectural scene, Felipe Savassi stands out for being a unique mix of designer and communicator. He shares his passion for architecture and his entrepreneurial vision with his thousands of students and followers on social media, with content that seeks to promote an approach centered on the promotion of industrialized and modular construction. With a degree in Architecture and Urbanism from the Isabela Hendrix Institute in Belo Horizonte, his professional activity is supported by four essential pillars: design and execution of architectural projects, education, mentoring and consulting, and a strong commitment to communication and content dissemination.
The fourth edition of the Bruges Triennial: Spaces of Possibility, curated by Shendy Gardin and Sevie Tsampalla, will be held from Saturday 13 April to Sunday 1 September 2024. This event promises to transform the streets and historic center of Bruges, Belgium, into a showcase of contemporary art and architectural interventions. With a focus on exploring the latent potential of this UNESCO World Heritage Site, the festival raises questions about how concepts like change and sustainability can interact with preservation.
The 12 selected artists and architects have been prompted to challenge the existing spaces within Bruges. Among the invited names are Boonserm Premthada’s Bangkok Project Studio, Mona Hatoum, Studio Ossidiana, and Sumayya Vally, founder of Counterspace and curator of the first Islamic Arts Biennale, among others. Until September 1st, they are presenting temporary interventions and large-scale installations that seek to reveal the hidden potential of the city, echoing the festival's theme. Against the backdrop of Bruges' rich history, this edition of the Bruges Triennial underscores the importance of adaptable urban spaces in today's ever-evolving world.
In Melbourne, Australia, the tenth edition of the MPavilion, designed by Pritzker Prize-winner Tadao Ando, has been extended until March 2025. Marking the architect’s sole-built project in Australia, the extension presents an opportunity for Melburnians and visitors to enjoy the space and its diverse offerings. The pavilion welcomes guests daily, serving as a serene oasis, a communal gathering space, and a landmark architectural destination throughout the year.
To differentiate themselves in competitive markets, the world's favorite retailers are tapping into retail design to cultivate communities of brand enthusiasts. Since traditional marketing methods no longer engage customers, physical spaces offer an avenue for more immersive and personalized experiences that match their values and lifestyles. Evolving customer preferences have led to the creation of authentic retail experiences that serve now as areas of recreation and entertainment. Designing outlets that encourage engagement, exploration, and a sense of belonging enables brands to foster loyal followings.
From April 25 to May 1, 2024, Logroño hosts the tenth edition of Concéntrico, a celebration of urban innovation and transformation. This year, the festival explores the future of cities, incorporating new formats, engaging diverse audiences, and tackling urban challenges through the lens of time as a catalyst for change in design. Featuring 20 interventions and activities involving over 100 professionals from 17 countries, the program encompasses processes such as renaturalizing public spaces, reimagining urban structures, and integrating recycled materials from previous editions.
Additionally, collaborations with educational centers ensure a lasting impact beyond the festival, fostering new collective practices in public spaces. Special projects such as "The street in 10 years" or initiatives involving students and pupils from local schools and educational centers further enrich the festival's engagement with communities across Spain.
Foster + Partners has debuted their first-ever exhibition in Korea at the Seoul Museum of Art. Marking a significant moment for the studio and its relationship to South Korea, the exhibition “Future Positive” showcases the work of Norman Foster and Foster + Partners to Korean audiences for the first time. On display from April 25th until July 21st, 2024, visitors will have the opportunity to explore the comprehensive showcase of Foster’s architectural journey from 1967 to the present day.
Faced with the various ways of inhabiting that characterize contemporary societies and their adaptability to future uses in architecture, lofts represent an opportunity to design spaces ranging from storage areas to living, study, leisure, or even resting spaces, both for their residents and potential visitors. Depending on their scales, sizes, and proportions, these elevated spaces allow for the optimization of interior environments in apartments that, in some cases, lack sufficient square footage to perform these types of functions at ground level and have a certain height to accommodate them.
Architects Lesley Lokko and Marina Tabassum have been selected in TIME Magazine’s ‘100 Most Influential People of 2024.’ Known as the TIME 100, the list is an annual compilation of individuals who have made significant impacts on the world in various fields such as politics, technology, entertainment, and more. Each person on the list is profiled by a guest writer, often someone who is also prominent in their field. Selected by Sarah M. Whiting, Dean of the Harvard Graduate School of Design, Marina Tabassum features in the Innovators chapter, while Lesley Lokko, selected by filmmaker Ava DuVernay, is recognized as a Pioneer.
Shigeru Ban Architects, in collaboration with The Glass House and The Irwin S. Chanin School of Architecture of the Cooper Union, have just revealed “Shigeru Ban: The Paper Log House at The Glass House.” This collaborative installation opened on April 15th and is on display until December 15th, 2024, welcoming more than 13,000 annual visitors. This year, students from The Cooper Union actively participated in the making of this structure as part of the university’s Building Technology Course.
Fundació Mies van der Rohe and the European Commission have selected the winners for its 2024 edition of the EU Prize for Contemporary Architecture / Mies van der Rohe Awards, from a pool of 362 nominated works. The 2024 Winner of the Architecture Prize is the Study Pavilion on the campus of the Technical University of Braunschweig, Germany, by architects Gustav Düsing and Max Hacke, both with studios in Berlin. The 2024 Winner of the Emerging Architecture Prize is the Gabriel García Márquez Library in Barcelona by SUMA Arquitectura founded by Elena Orte and Guillermo Sevillano in Madrid.
“The 2024 Prize jury emphasizes the significance of architecture that explores the potential to shift mindsets and policies, as well as the importance of fostering inclusivity”, explains the official announcement. The Awards Ceremony will take place at the Mies van der Rohe Pavilion in Barcelona, in the context of the EUmies Awards Day, on the 14th of May 2024, launching the Barcelona Architecture Weeks.
The 62nd edition of the Salone del Mobile at Rho Fiera brought together designers, architects, producers, and prominent figures from the design realm. With more than 1950 exhibitors, the six-day event, running from April 16 to 21, 2024, emphasized conviviality, well-being, and sustainability. Designed with a human-centric approach, incorporating neuroscience principles to enrich visitor interaction, Salone del Mobile is revolutionizing the future of fairs.
On-site during the event, ArchDaily had the opportunity to speak with Cristian Catania, Senior Architect and Project Director for Reinventing Fairs at Lombardini22, responsible for revamping Salone, about the primary changes in the fair’s layout and the implementation of neuroscience approaches in conceptualizing the exhibition spaces.
