David Hotson (b. 1959) founded his New York City-based practice David Hotson Architect in 1991. His projects – houses, loft residences, penthouse apartments, and galleries – are known for their remarkable spatial and visual complexity. His Church of Saint Sarkis in Carrollton, Texas is especially distinguished for the luminous and sculptural qualities of its interior space as well as the exterior grade high-resolution digital printing on its west façade. Earlier this year this appealing work won the US Building of the Year award by World-Architects.com. Hotson obtained his Bachelor of Environmental Design from the University of Waterloo in Ontario, Canada, and earned his Master of Architecture in 1987 at Yale.
In the following interview with David Hotson, we discussed the architect’s design process, focusing on making concave spatial voids legible and primary, being inspired by Byzantine architecture and his favorite building ever built, what structure he considers the most important work of contemporary architecture, what makes his award-winning Church of Saint Sarkis special, and the use of space and light as the essential tools in creating architecture as a figural void and ultimately an art form.
The significance of daylight in volumes of space exceeds its function of illumination. Light is a creative tool manipulated by architects to infuse a space with a metaphysical spirit, influencing the emotional states of its occupants. Having a phenomenological effect on the human psyche, light and shadow have been played with to invoke a sense of divinity and spirituality into the character of religious buildings. The interplay between architecture and light is a powerful one, shaping a deeper experience of spirituality.
Imagine if light would not only provide optimum visibility for tasks but convey meanings as well. Standards with recommended lux levels for various visual tasks have led to a quantitative understanding of lighting. However, lighting can also be used to contribute to emotion in rooms and to structure architecture. Would it be adequate to regard lighting as language sent by architects or interior designers and being received by inhabitants and citizens? Adding a semiotic perspective can help to recognize how light and shadow contributes to the meaning of the built environment.
The Youtube channel Never Too Small boasts 2.25 million subscribers — a platform featuring the imaginative manipulation of space in tiny footprints. Videos of micro-apartments, in Paris, London, and beyond, get views in the millions. Clearly, there is a demand for content geared towards living small, as a global housing crisis has precipitated the ever-dwindling availability of affordable, larger-footprint residences in urban areas. Architects, working in this constrained contemporary reality, have been necessitated to make the most out of limited space, configuring sub-40 square-meter floor areas to create a non-claustrophobic spatial experience.
Animals measure distances and weight for their survival. On the other hand, stemming from their need to communicate to live in society, humans created languages and, later, established the standards of measuring. Whether for moving around, portioning food, making tools, or calculating the weight of objects and animals, measurement standards arise from this need that was already present in human activities in the age of chipped stone and has been with us ever since. Nowadays, most of the world's population uses meters and centimeters to measure distances. These standards come from the need to establish comparisons that allow trade between peoples and also from political and social disputes.
When Airbnb began nearly 15 years ago, it offered a new and innovative solution to book short-term stays without any hassle. By renting out a spare room or an entire apartment, it provided an alternative to traditional hotel models which were often overpriced and overbooked. Airbnb now faces many critics as the company quickly grew, offering hundreds of thousands of stays around the globe, but not without a handful of negative experiences. Now, planners and policymakers are beginning to see the effects of the abundance of Airbnb listings and how it impacts a growing housing crisis.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architect Joshua Aidlin, Founding Partner of Aidlin Darling Design to discuss his background in the arts; his design approach and philosophy; camping on project sites; creating good office culture; his partnership with David Darling; and more.
Research by the Science Museum Group based on objects from different periods of UK history shows how their colors have transformed over time, leaving vibrant tones behind and becoming grayer every day.
Cat Sleeman examined more than seven thousand photographs of everyday objects from the Science Museum Group Collection in research funded by the Creative Industries Policy and Evidence Center (PEC). From cameras to lamps and other household objects, they were organized into 21 different categories according to their use. The analysis was carried out based on counting pixels of different colors and also addressed the shape of the objects.
Munich – Bavaria’s capital since 1506 – is a city with layers and layers of history. Its many years as a rising architectural epicenter have left an interesting and unique mix of buildings. From Middle Age churches and cathedrals to contemporary synagogues. From skyscrapers to small pavilions. Brutalism to Art Nouveau. Munich’s architecture is truly extensive and marvelous.
Though not acknowledging Munich’s beer wonders would be wrong, the only mention of this substance would be in the stunning buildings (like the new Paulaner HQ by Hierl Architekten) that contain them. Yes, other aspects of the city are grandiose, but let’s focus on Munich’s top attraction: its architecture.
A. Eugene (Gene) Kohn, co-founder of the internationally renowned architecture office Kohn Pedersen Fox Associates, has passed away aged 92, after a year-long fight with cancer. Gene Kohn co-founded Kohn Pedersen Fox Associates (KPF) in 1976, along with partners William Pedersen and Sheldon Fox, helping to shape it into one of the most impactful architectural practices worldwide. He was recognized for his ability to find creative solutions and to build consensus between designers and developers through his understanding of the relationship between architecture and commerce. He also taught at Harvard, Columbia, and his alma mater University of Pennsylvania.
MAD Architects, Led by Ma Yansong, has just revealed its design for the Danshuis, dutch for The Dance House. The project will transform the riverfront Provimi warehouse into a cultural destination in Rotterdam. The Danshuis initiative seeks to convert the old warehouse into a vibrant multi-use studio based on movement and performing arts, a vibrant place to exchange world dance culture. The Droom en Daad Foundation, the primary client of the project, hopes to place Rotterdam on the map as a world leader in arts and culture.
Sir David Chipperfield has been awarded with the 2023 Pritzker Prize, the highest distinction in the architectural profession. Known for his well-crafted, precise, and sensible response to complex environments, the architect became initially recognized for the skillful restoration and renovation of existing buildings, often cultural institutions, before expanding the range of projects to include new structures. While his built body of works demonstrates many of the core principles of good architecture, the ongoing projects reveal an equally relevant narrative: that of his direction moving forward and the way in which his approach to these principles evolves.
Many of the ongoing projects continue Chipperfield’s interest in museological and cultural institutions, yet he continues to work across a wide array of building types. The latest major project announced tackles one of the most prominent institutions in Greece, the National Archeological Museum. This represents yet another opportunity for the architect to present museums as institutions that offer a transformation of the urban life of the cities where they are located, while also bringing forward the historical layers that define its architecture. Other projects, such as the Santa Giulia Arena in Milano or the Elbtower in Hamburg, expand the range of programs and typologies addressed by Chipperfield.
El Cosmico 3D-printed Hotel - exterior. Image Courtesy of ICON, BIG for El Cosmico
Hospitality expert Liz Lambert has announced a collaboration with ICON, the office that pioneered large-scale 3D printing, and BIG – Bjarke Ingels Group, to rebuild El Cosmico, a campground hotel in Marfa, Texas. The team plans to relocate the venue to a 62 acres plot, where new architectural approaches are made possible by including advanced technologies and 3D-printing elements such as domes, vaults, and parabolic forms. The innovative development will feature guest accommodation and new hospitality programming, including a pool, spa, and shared communal facilities. The project is expected to break ground in 2024.
After the interruption of the 2019 edition due to the Social crisis in Chile, the Chilean Architecture Biennial returned to Santiago in January 2023 under the theme of 'Vulnerable Habitats', addressing issues such as "the emergence of the housing deficit in a context in which slums, informality, and illegal land takeovers have increased in recent years" and "the vulnerability and deterioration of public spaces; the urgent protection of tangible heritage; and environmental vulnerability in a context of a climate crisis."
Under the theme of "Mosque: a cross-cultural building", the 4th cycle of the Abdullatif Alfozan Award for Mosque Architecture (2020-2023) has announced its 5 winning projects hailing from Australia, Turkey, Serbia, Slovenia, and Mozambique. The award ceremony took place at the Riyadh National Museum on March 5th, 2023, followed by a 2-day architectural seminar in which the architects explained the design process behind their winning projects.
Looking into mosques between the past, present, and future, the selection took into account each project's contextuality, privacy, its religious and architectural significance, and contribution to the community. Over 200 mosque were submitted from across the world, narrowed down to a shortlist of 22 projects. The five winning mosques, however, were commended for looking beyond common mosque typologies, as they explored the importance of feeling within a religious space, their value as "urban communication tools", and how their architectural languages are re-establishing the values of the religion.
