“Change drives innovation. We must continually evolve into what a successful workplace looks like,” said Nicole Senior, director of workplace experience, Tinder. Change, innovation and human connection were topics of prominence in a December 17 Think Tank, hosted by Rapt Studio, and titled “Looking Back, Looking Forward: Workforce Lessons for 2021.”
Do you feel vulnerable as you walk through public spaces? If you are a woman, the odds of answering yes to this question are certainly greater since men are less likely to choose a longer route only to avoid a dark section of the street, or to ponder on what clothes to wear so that they do not feel exposed in public. In this sense, it seems almost obvious that cities designed by men should be perceived as threatening environments, rather than a place where women feel welcome. So, to imagine egalitarian cities, should we persist in a reflection of a gender-oriented approach?
You might be surprised by this, but the days of shopping in stores are long from over-, in fact, they’re experiencing a renaissance, and are creating a whole new type of design and experience to bring consumers back through the doors. The rise of e-commerce and the pause caused by the COVID-19 pandemic have served as a perfect catalyst for creating a whole new type of experience through unique design features, technological advancements, and customization that will revitalize physical stores in the future.
This article was originally published on Common Edge.
From the hills behind the City Hall in my adopted hometown of Ventura, California, it’s less than 1,000 yards southward to the Pacific Ocean. This constrained piece of topography creates a small urban gem of a downtown: streetscapes, restaurants, stores, offices, residences, parking garages, and a beachfront promenade, all within eight or so square blocks, creating a lively streetlife that connects a historic downtown to the beach.
.jpg?1611548432 "Santa Fe, Mexico City. Image © Johny Miller")
_22.43.53_(1).jpg?1611548822 "Mexico City During the COVID-19 Pandemic. Image © Santiago Arau")
When looking at the population of the world's metropolises, in this case Mexico City, the reality is that the majority of the people living there have migrated from other regions of the country and, sometimes, from other countries as well. Of course, thanks to the Covid-19 pandemic, companies and schools have gone virtual, and, with their work and studies no longer tied to urban centers, people have left in masse for the coast and other less populated areas in search of space and lower living costs.
MAD Architects has unveiled that the Wormhole Library, had topped-out in the city of Haikou, China at the end of January 2021. The curved multi-functional structure, cast of white concrete, is scheduled to be completed and operational in the Spring of 2021. Once ready, the project will allow visitors to read, enjoy the sea views and attend open-air performances.
In Her, a 2013 film directed by Spike Jonze, a lonely writer develops a love affair with the virtual assistant of an operating system. Brave New World, a book written in 1932 by the English author Aldous Huxley, fabricates a dystopian society whose cult of efficiency and rationality creates a humanity that ignores hardship and pain but also represses love and freedom. In Mary Shelley's 1818 book Frankenstein, considered the first science fiction novel, a life is artificially created, producing a monster with human characteristics: wills, wishes, and fears. Whether describing the fear of artificial intelligence, the uncertainty produced by industrialization, or the limits of science, science fiction works reveal less about the future and much more about the moment in which they were created; they speak of the fears and hopes of their own time.
When we explore urban visions of the past anticipating the future, it is common to find exaggerated and even funny predictions. As for the promises of architecture and, consequently, of our cities, it is not an easy task to predict future developments clearly either. By looking at industry trends and using all of our imaginations, could we tell what cities will be like in tens or hundreds of years? Their materials, their appearance, their way of building and thinking? Will it be a more pristine and minimalist future or a more organic and complex future? How will new technologies and building materials affect the shape, aesthetics, and prosperity of the cities of tomorrow?
The principles of bio-climatic architecture, when applied with an understanding of the surrounding climate and geography, can simultaneously increase a building's efficiency and create a more comfortable living space. Passive measures like solar panels, rainwater and grey water harvesting, openings for natural light, and cross-ventilation are all low-cost, high yield methods of increasing a home's thermal comfort and efficiency and decreasing its carbon footprint.
Understanding what drives economic, social, and educational disparities between communities is one of urbanism’s most critical and highly-discussed topics. It’s an increasingly complex issue, with many factors at play- one of them being the design and location of desirable urban green spaces. While sometimes they are a tool that helps to bolster underserved communities in terms of health and economic benefits, safety, and climate resistance, other times they can actually drive out the residents that they are created to serve. Now, the challenge lies in how to design these recreational sites to create better futures for all.
This article was originally published on Common Edge
In a Common Edge article, I briefly discussed a concept that I call the “Triple Bottom Lie,” which posits that more people, plus more consumption by each person, plus an economic system completely dependent on the aforementioned items, can just keep working forever, without consequences. Historically, the United States has accepted the economic shibboleth of endless growth because it reduced class conflict; a rising tide (supposedly) lifted all boats, rafts and yachts included. We are, however, approaching the limits of growth, from both a resource standpoint (we’re running out of raw materials) and a technological standpoint (our inventions are progressively less revolutionary).
Urban infrastructures provide comfort to inhabitants and mitigate the risks of disasters such as flooding. Underground systems specifically conceal urban infrastructures from public view and are configured as real mazes under the streets. The distribution of drinking water, urban drainage, sewage, and even electrical wiring and fiber optics in some cases, pass under our feet without us noticing. To this end, the industry developed precast concrete parts for about 100 years that provided construction speed, adequate resistance to force, and durability against time. Concrete pipes with circular sections, in many diverse diameters, are perhaps the most used conduits and are ubiquitous around the world. But there are also those who use these apparently functional elements in creative architectural contexts as well.
Slovak designer Lenka Petráková has won the 2020 Grand Prix Award for an ocean-cleaning research facility in the Pacific. The "8th Continent" project is a floating station that restores the marine environment by collecting plastic debris from the surface and breaking it down to recyclable material. The plastic recycling center connects with a research and education facility to create an interdisciplinary and sustainable platform for the future.
A design team comprised by Diller Scofidio + Renfro, Gustafson Bowman + Porter y B720 Fermín Vázquez Arquitectos has been chosen to lead the transformation of Madrid’s AZCA district.
Alterity is essential to human development. If deprived of a variety of stimuli, the brain is unable to develop, losing plasticity and deteriorating like an atrophied muscle. This reasoning is widely accepted when it comes to social relations or cognitive and physical activities. But what about the stimuli promoted by the built environment?
The European Union Prize for Contemporary Architecture, the Mies van der Rohe Award has just announced the first 449 works competing in its 2022 edition. Selected from 279 cities in 41 countries, the projects have been nominated by European independent experts, the national architecture associations, and the Prize Advisory Committee.
Foster + Partners has revealed images of InnHub La Punt, a new center for innovation in the heart of the Engadin valley, in the Swiss Alps. The 6,000-square-metre project, set for completion in 2022, is comprised of a 3-story building encompassing work and seminar spaces, sports facilities, retail shops, and a restaurant. Based on the idea of the ‘third place’, the intervention creates a space for collaboration and creativity.
SPRESSER and Peter Besley have won the Sydney Pier Design Competition and will create a pavilion made of recycled oyster shells. As the team explains, the Pavilion references human gathering by the sea; it is designed as a democratic gathering space under a landscape canopy for meetings and events. The Pavilion aims to celebrate elements that compose the site: land, sea and sky.
The state of Florida, in the United States, is bordered to the south, east, and west by the Atlantic Ocean, with a coastline of over two thousand kilometers in length, and is characterized by extensive areas of lakes, rivers, and ponds. Land booms during the early and mid-20th century resulted in the development of new communities and the expansion of low-density suburbia across many parts of the state, which frequently incorporated the abundant water resources, sometimes failing in their efforts.
