The Sax residential towers by MVRDV. Render. Image Courtesy of MVRDV
The City of Rotterdam, developers BPD and Synchroon, and architecture firm MVRDV have officially begun construction on The Sax, a major residential project located on Rotterdam's Wilhelminapier. Designed to contribute to the city's ongoing densification efforts, the development will deliver 916 apartments within two interconnected towers. Once completed, The Sax will make Wilhelminapier the most densely populated area in the Netherlands, making the project an example of compact urban growth. The design comprises two towers, combining a wide mix of housing types and shared amenities with strong connections to public transport and sustainable mobility solutions, including parking for 1,800 bicycles and a fully automated car garage. With its silver façade and undulating balconies, the building's form echoes the shape of a saxophone, reflecting the character of Rotterdam.
Theaters serve as cultural and social institutions, shaping society by providing spaces where stories of identity, race, and justice are brought to life. These venues foster community through shared, live experiences, sparking conversations that resonate beyond the stage. Architecturally, theaters are more than performance spaces—they are landmarks that embody both the history and future of the arts. Their design often reflects the cultural importance of storytelling, while their refurbishments ensure they remain relevant in a modern context.
In this week's AD Interior Focus, ArchDaily explores how the refurbishment of iconic theaters like the Royal Opera House in London, United Kingdom, and Sydney Opera House in Australia goes beyond modernizing comfort and accessibility. It delves into how these projects preserve the architectural integrity of these historic landmarks, ensuring their design continues to serve as a backdrop for both artistic expression and social discourse.
Left to right, top to bottom: AAU Anastas, heneghan peng architects, Níall McLaughlin Architects, Studio Anne Holtrop, Tatiana Bilbao ESTUDIO, Toshiko Mori Architect, Trahan Architects. Image Courtesy of The teams and Malcolm Reading Consultants
Wine production has long been tied to place, climate, and culture, and in recent decades, architecture has become a central part of this relationship. Wineries are no longer understood only as functional facilities for fermentation, storage, and distribution, but also as spaces where landscape, materiality, and visitor experience intersect. From subterranean cellars hidden beneath fields to sculptural landmarks rising in rural territories, these buildings shape the identity of winemaking regions while offering visitors a carefully choreographed encounter with the process of production.
At the intersection of agriculture, tourism, and culture, wineries present architects with unique opportunities to merge technical requirements with a spatial narrative. They must respond to environmental conditions, manage temperature and humidity with precision, and integrate with delicate ecosystems, while also providing spaces for tasting, gathering, and celebration. As a result, the typology has given rise to a wide range of architectural solutions. Some are rooted in tradition and local craft, others are exploring advanced technologies and contemporary forms.
As the 19th Venice Architecture Biennale enters its concluding weeks, the global architecture scene continues to unveil significant projects and recognitions. This week's highlights include Studio Libeskind's residential complex in Prague; sauerbruch hutton's Panorama Constance exhibition building in Germany, and CRA–Carlo Ratti Associati's digitally fabricated bivouac for the upcoming Milano Cortina 2026 Winter Olympics. In New York, Venezuelan artist Miguel Braceli designed a major public artwork for the city's waterfront, addressing themes of migration, diversity, and the complexities of geopolitical identity. The week also brought recognition to sustainable and creative achievements, from the Holcim Foundation's regional awards for sustainable construction to the publication of Tadao Ando. Sketches, Drawings, and Architecture by Taschen, celebrating nearly five decades of the architect's design process.
Two views, by Marie-Louise Raue. Image Courtesy of The Architecture Drawing Prize
The eighth edition of The Architecture Drawing Prize has revealed its 15 winners, following a radical restructuring of its judging criteria to reflect the evolving landscape of architectural representation. For the first time, the competition assessed all entries together, rather than by category, embracing the growing influence of digital and AI-assisted tools in the creative process.
Launched in 2017 and co-curated by Make Architects, Sir John Soane's Museum, and the World Architecture Festival (WAF), the Prize celebrates the art and skill of architectural drawing across multiple modes of creation. Sponsored by Iris Ceramica Group and supported by ArchDaily as media partner, this year's edition attracted a record number of more than 200 submissions from around the world. Drawings were evaluated for their technical skill, originality, and capacity to convey architectural ideas through diverse techniques, ranging from traditional hand drawings to complex hybrid compositions.
Tourism in Portugal began to develop in the late 1950s, initially centered on key destinations such as the Algarve coast, Lisbon, and the religious hub of Fátima. This focus made tourism largely a coastal activity. However, rapid growth and overburdened infrastructure in these areas led to saturation and a crisis in the sector. To address this, efforts were made to promote alternative destinations, appealing to a new wave of tourists looking for more sustainable, authentic, and locally immersive experiences.
Buildings must change faster than they were built to. Shifting tenant needs, tightening climate policies, and rising office vacancies expose the cost of static stock: waste, noise, downtime, and—in the worst case—stranded assets. The consequence is clear: buildings across typologies must be designed to adapt over time. The inaugural Adaptable Building Conference (ABC), taking place on January 22, 2026, at the Nieuwe Instituut in Rotterdam, brings the industry together to turn adaptability from principle into practice.
CRA–Carlo Ratti Associati, in collaboration with Salone del Mobile.Milano, recently unveiled the design of a digitally fabricated bivouac set to debut as an urban pavilion during the 2026 Winter Olympics in Milan. The digitally fabricated wooden structure is designed to be self-sufficient, incorporating systems for energy production and storage, as well as water harvesting through air condensation. After its debut at Milano Cortina 2026, the structure is planned to be airlifted by helicopter to its permanent high-altitude location in the Italian Alps, where it will serve as a refuge for mountaineers.
Hormuz Island, located in Iran, was a strategically significant port in the Persian Gulf, characterized by its landscape of colorful mountains. Despite its tourist appeal, the island faces significant socio-economic problems, with the local population having historically faced economic hardship. In response, the Majara Complex by ZAV Architects was conceived not merely as a building but as a deliberate architectural intervention designed to give control, opportunity, and economic benefit directly to the local community. To do this, the project channeled investment into local human resources and prioritized accessible construction techniques, creating a pathway for localized wealth creation. This allowed the Majara Complex to be one of the recipients of the Aga Khan Award for Architecture in 2025.
When Hudson Yards opened in Manhattan in 2019, it promised a new urban neighborhood built from scratch. 16 towers with 4,000 residential units were erected in hopes of creating a strong community. Despite its lavish amenities and lofty public plazas, a peculiar emptiness persisted. The development felt anonymous, speaking to a fundamental truth about human social capacity.
2025 marks the 60th anniversary of Singapore's independence, commemorating its separation from Malaysia on August 9, 1965. The occasion is celebrated in the country's national pavilion at the 19th Venice Architecture Biennale with a multisensory installation that honors Singapore's diversity and reimagines city-making through food, culture, and collective design. Titled RASA–TABULA–SINGAPURA, the installation invites visitors to take a seat at the Table of Superdiversity: an enticing reimagining of city-making and nation-building through the universal act of dining. According to the curatorial team from the Singapore University of Technology and Design (SUTD), the purpose of the installation is to showcase how the convergence of multicultural differences, collective histories, design, and new technology creates opportunities for more inclusive and adaptive urban futures.
Domestic workers in Hong Kong and Singapore are the city's quiet infrastructure. In Hong Kong alone, there are a total of roughly 300,000 domestic workers, serving a portion of the approximate 2.7 million households. Their care labor sustains dual-income family routines: childcare, eldercare, cooking, cleaning, and the everyday logistics that make professional life possible. Yet the people who hold this balance together remain largely invisible in policy—and, crucially, in space.
On Sundays in Hong Kong's financial district, that invisibility becomes visible. Elevated walkways and podium forecourts—underused on weekends—turn into ad-hoc commons. With cardboard mats, small tents, towels, food and water, and a music speaker or two, domestic workers assemble places to sit, rest, and socialize. These improvised rooms in the city are often their only chance to exercise spatial agency—something they rarely have in the homes they maintain or in formal public infrastructure. In the absence of sanctioned, serviced places for rest, quieter bridges and passages become practical stand-ins.
