Between August 19 and 20, 2025, thousands of spectators watched as one of Sweden's largest wooden buildings was lifted onto beams and wheeled across town. The Kiruna Church, constructed between 1909 and 1912, was designed to echo the form of a Sámi hut in Sweden's far northern region, within the Arctic Circle. The building was designed by architect Gustaf Wickman, who served as the church's architect at the time, and combines elements of Gothic Revival with an Art Nouveau altar. The building, one of the city's main tourist attractions, was moved to a new location between the cemetery and the new city center to prevent damage caused by the expansion of the local mine.
How do nature and landscape dialogue within spaces designed for children? How are architecture and urban design capable of shaping natural atmospheres that integrate practices of play, participation, and exploration? From participatory projects that involve children in the design process to built environments that incorporate furniture adapted to their needs, the conception of spaces for childhood entails the creation of places for encounter, learning, and coexistence. At times, these spaces are able to strengthen the relationships between interiors and exteriors, connecting their users with nature and the surrounding environment. Depending on their cultures, customs, and histories of attachment to place, several contemporary projects deploy tools and strategies that integrate architecture, nature, and pedagogy to form broad experiences of learning, play, and discovery.
As the AI fervor continues to reshape how people see the world, 2025 looms as yet another year in the march toward technological advancement. While some worry about the dominance of technology in society, architects are shifting their attention to the foundations of a digital future: data centers. The design of data centers challenges designers to reconcile the demands of technological functionality with the principles of architectural excellence. As the dependence on cloud computing, IoT ecosystems, and big data analytics deepens, data center architecture demands more attention. As data consumption skyrockets, data center consumption rates match the demand. These structures were once relegated to nondescript industrial zones, but are now becoming integral components of urban and suburban environments. While some community members are upset about the encroachment of data centers in their localities, others see them as indicators of economic development.
“Glen and Anna Harder House, Mountain Lake, Minnesota,” 1970. Color transparency, 4 x 5 in. Copyright J. Paul Getty Trust, Getty Research Institute, Los Angeles (2004.R.10). Photo: Julius Shulman. For the 2025 grant to the Art Institute of Chicago for the exhibition “Bruce Goff: Material Worlds”. Image Courtesy of Graham Foundation
The Graham Foundation for Advanced Studies in the Fine Arts has announced $573,300 in grants to 39 organizations worldwide. Chosen from more than 200 submissions, the 2025 awards support a broad range of initiatives, including exhibitions, installations, publications, podcasts, student-led journals, internationalarchitectureevents, and public programs that contribute to advancing architectural discourse and design experimentation. Over nearly seven decades, the Graham Foundation has provided more than $45 million in direct support to over 5,200 projects. With the addition of the 2025 grantees, the Foundation aims to continue to strengthen its international network of individuals and organizations advancing architectural ideas and public engagement around the world.
Strada Brutalissima. Pavilion of the Republic of North Macedonia at the 19th Venice Architecture Biennale, 2025. Image Courtesy of Blagoja Bajkovski
The Republic of North MacedoniaPavilion at the 19th Venice Architecture Biennale is dedicated to the Brutalist architecture of its capital city, Skopje. This architectural movement has given the city a distinctive identity following the earthquake that struck in 1963. According to pavilion curator, architect Blagoja Bajkovski, in the aftermath of the disaster, Skopje embraced Brutalism from a variety of sources. One of the most prominent of these was Kenzo Tange's reconstruction plan, developed after an international competition organized by the United Nations in 1965. The exhibition, titled Strada Brutalissima, recounts this identity, the events that shaped it, and the buildings that continue to represent it through a series of architectural models. Inspired by the 1980 Venice Architecture Biennale's Strada Novissima, the project reinterprets the concept of a curated "street," this time centered on Skopje's Brutalist heritage.
In contemporary Japanese and Chinese kindergarten design, architects are transforming the interior spaces from a simple container into an active, multi-sensory environment. This shift seems to follow Studies in developmental psychology that suggest that a child's experience of space begins with a sensorimotor engagement through touch and manipulation. Thus, they place a strong emphasis on the use of materials and the approach of learning through play. Architects seem to be moving beyond traditional classrooms, into environments that are tactile, stimulating, and rooted in their specific contexts. The buildings themselves become tools for education, encouraging children to learn and explore through direct physical engagement.
Architecture has historically produced many iconic buildings shaped by singular visions—often designed unilaterally for users, communities, and cities. While this top-down approach has enabled strong formal coherence and conceptual clarity, it has also prioritized authorship over engagement. The result: projects that may be celebrated as visionary, yet often feel disconnected from the everyday realities of those who inhabit them.
Designing for others is inherently complex. As architects, we are frequently tasked with creating environments for communities with whom we may have no personal or cultural familiarity. This distance, however, can offer valuable objectivity. It allows us to engage diverse perspectives with fresh eyes, critically analyzing the needs and constraints of multiple stakeholders. Through this process, the discipline of architecture has advanced—pushing boundaries in spatial thinking, material innovation, and structural experimentation.
Whether for design competitions or architectural awards, buildings are often judged for what they offer–the programmed functions, the form, or the visual delight. In a minority of cases, it is the absence or the reduction of intervention that made a project successful. In 1971, a high-profile architectural competition in Paris was won by a proposal that only utilized half the available site, giving the rest as an urban space to the city. In London, a proposal to convert a disused power station with minimal additions, leaving large spaces untouched, won a design competition in 1994. The Stirling Prize, the UK's most prestigious architectural award, in 2017 was won by a proposal that was little more than an empty platform. These examples of cultural buildings from Northwestern Europe illustrate how the absence of intervention can provide more.
The Ministry of Spatial Planning, Urbanism and State Property of Montenegro has announced the results of the international competition for the new Museum District and Park of Arts & Culture in Podgorica. The winning proposal, led by Milan- and London-based practice a-fact architecture factory in collaboration with LAND, Maffeis Engineering, and Charcoalblue, was selected from 48 entries by an international jury. The project envisions a new cultural district consolidating three institutions, the Museum of Contemporary Art, the Natural History Museum, and the House of Architecture, within a landscape that reconnects the city to the Morača River.
Oxford United Football Club's planning application for a new all-electric football stadium has been approved by Cherwell District Council. The scheme was developed by a team that includes AFL Architects, Mott Macdonald engineering services, Fabrik landscape design, and Ridge and Partners built environment consultants. Designed for a capacity of 16,000 spectators, the master plan also proposes a 1,000-person events space, a 180-bed hotel, a restaurant, a health and wellbeing centre, and a new public plaza with gardens.
Patio houses embody one of the most enduring architectural typologies, encapsulating the duality of openness and seclusion while nurturing a profound connection with nature. While the term is also used in contemporary American real estate to describe low-maintenance, single-story dwellings on small lots, its classic architectural meaning refers to an introverted design organized around a private, central courtyard. It is this traditional form, the subject of this article, that traces its origins back thousands of years. Patio houses emerged independently in various regions, responding universally to fundamental human needs: privacy, climatic adaptability, and spatial coherence. Despite diverse geographic and cultural expressions, the core principles of introversion, controlled openness, and environmental sensitivity remain remarkably consistent throughout the evolution of this typology.
For nearly 65 years, the DETAIL brand has stood for meticulous research and comprehensive architectural documentation. The magazine articles and specialist books demonstrate how outstanding architecture is planned, designed, and executed. They provide in-depth knowledge of building construction, building typologies, and technical aspects of architecture.
DETAIL has become especially renowned for its construction drawings, which are carefully researched by editors and redrawn by an in-house CAD team in a standardized style.
The Republic of Kosovo brings this year to the 19th Venice Architecture Biennale an exhibition titled Lulebora nuk çel më. Emerging Assemblages. The exhibit was commissioned by the National Gallery of Kosovo and curated by the architect, interdisciplinary designer, and researcher Erzë Dinarama. Reflecting on the country's shifting agricultural landscapes in the context of ecological uprooting and embodied knowledge systems under climate pressure, the installation offers a sensorial exploration of Kosovan fieldwork. Combining a range of local soil materials with a hanging olfactory calendar, the Pavilion invites visitors to imagine through touch and smell.
In South AmericanIndigenous communities, a child’s place is wherever they choose to be. Babies crawl on the earthen floor, approach the fire, investigate anthills, and experience the world with their whole bodies. They learn by feeling: discovering limits, recognizing dangers, and gathering lessons no manual could ever teach. In urban contexts, by contrast, children are often confined to spaces designed for adults, filled with rules that—though well-intentioned—tend to distance them from essential experiences. Rather than judging which model is “better,” what matters is recognizing that when cultures observe one another, there is always room for learning.
From an architectural perspective, this childhood with little freedom of time and movement challenges us to rethink how we shape daily environments. Why restrict spontaneous exploration to controlled settings? Why create physical and symbolic barriers between children and the natural world? And, above all, how might contemporary architecture break away from this paradigm and, inspired by Indigenous childhoods, design environments that restore to children their wild, curious, and complete dimension?
The City of Chicago and the Chicago Department of Aviation (CDA) have broken ground on Concourse D at O'Hare International Airport, designed by Skidmore, Owings & Merrill (SOM) in collaboration with Ross Barney Architects, Juan Gabriel Moreno Architects (JGMA), and Arup. The project marks the first building in ORDNext, O'Hare's most ambitious expansion to date, and introduces a new chapter in the airport's modernization. Construction management is led by AECOM Hunt Clayco Bowa, with completion expected in late 2028. Planning is also progressing on Concourse E, the second satellite concourse designed by the same team.
SPPARC architecture and design studio has revealed plans to renovate the former Ravenscourt Park Hospital in Hammersmith, London, which has stood vacant for two decades. The building, originally named the Royal Masonic Hospital and designed by Thomas S. Tait, is regarded as one of the first major modern buildings in the UK and was Europe's largest independent acute hospital when it was opened by King George V in 1933. Built to provide low-cost treatment for Freemasons and their families, the 260-bed facility operated until 1994, reopened as an NHS hospital in 2002, and was permanently closed in 2004. According to the recent announcement, the Grade II listed landmark, currently on Historic England's Heritage at Risk register, is intended to be repurposed as 140 new homes, a 65-bed care home, and spaces available for public hire.
Play extends beyond its recreational dimension, unfolding as a social act that encourages children to learn, interact, be creative, and engage with their spatial context. As Johan Huizinga notes in Homo Ludens, it is a fundamental element of culture, where kids form bonds and explore ways of coexisting. When the architecture of play spaces excludes certain bodies or modes of participation, the collective experience becomes fragmented and loses part of its meaning. Designing with inclusion in mind, therefore, means recognizing that the actual value of play lies in its potential to be shared by everyone.
https://www.archdaily.com/1033205/inclusive-playgrounds-every-body-can-play-through-architectureEnrique Tovar
