The twentieth century marked a definitive shift in the realm of architecture, as the Modernist movement broke from traditional building styles and encouraged experimentation and innovation. With the help of new materials and technologies, these times represent a crucial moment in the history of architecture as both cities and building styles evolved at an unprecedented rate. The structures that stand testament to this day are, however, nearing the age of a hundred years old. Their stark design features are not always embraced by the public, while the functionalist principles often hinder the adaptability of their interior spaces. Given that they also often occupy central positions within the city, there is increasing pressure to demolish these structures and redevelop the area in its entirety.
As one of the most important and visited contemporary architecture exhibitions worldwide, the Venice Architecture Biennale extends beyond the grounds of the Giardini and the Arsenale, aiming to engage the entire city in discussions on relevant issues, challenges, and opportunities within the architectural profession. This year's Biennale, curated by Carlo Ratti, explores the theme "Intelligens. Natural. Artificial. Collective," inviting visitors to consider how architecture, technology, and nature intersect to shape the future.
As part of this year's event, 11 collateral exhibitions organized by various national and international institutions offer a range of perspectives on topics such as sustainability, cultural landscapes, and adaptive architecture. These exhibitions, spread throughout Venice, contribute to the broader conversation on the evolving role of architecture in addressing global challenges and promoting a more sustainable and interconnected future.
Material intelligence refers to how materials perform, adapt, and interact with ecological and cultural systems. It considers how stone, steel, or timber respond to intertangled forces, how those materials are sourced and assembled, and how they persist after demolition. Designers are centering material intelligence in constructing our cities in a generation of environmental uncertainty and strained supply chains.
The Mies Crown Hall Americas Prize (MCHAP) has just announced the winners of the fifth MCHAP Americas Prize award: Thaden School, designed by EskewDumezRipple, Marlon Blackwell Architects, and Andropogon Associates. Located in Bentonville, Arkansas, on a 30-acre site, the campus explores the relationship between architecture, landscape, and community within the educational context. The announcement was made after a daylong celebration at S.R. Crown Hall on the Illinois Institute of Technology (IIT) campus. The event featured Masterclass presentations by students from IIT and regional universities, along with a roundtable discussion with the finalists and jury during the MCHAP Symposium.
Traditional building development follows a risky model - design, build at full scale, and hope everything works as planned. Sustainable housing prototypes flip this script by creating functioning micro-versions of larger visions. This methodical approach allows designers to experiment with new materials, technologies, and systems without the enormous financial and environmental risks associated with full-scale development. Sustainable building prototypes serve as compact laboratories where theories can be tested before wider implementation.
Humans and pets have long shared a deep and inseparable bond—and today, how we live alongside them is becoming increasingly important. Beyond offering companionship, pets are now often regarded as life partners, providing powerful support for mental health and emotional well-being. Yet it is not only the emotional connection that matters: the way we design and curate spaces for cohabitation with them plays a critical role in shaping meaningful spatial relationships between humans and their animal companions.
Whether through custom-designed furniture or more seamlessly integrated solutions like wall cavities and built-in nooks, an increasing amount of attention is being paid to how we can better coexist with pets in our homes. This shift reflects more than just affluence or pet ownership; it signals a broader evolution of companionship—one rooted in mutual support, emotional health, and shared environments.
In most situations, architects navigate a complex web of construction codes, airspace regulations, and numerous other rules that dictate the form and execution of a project. However, cultural architecture often presents a unique opportunity for more daring and expressive designs. These projects frequently garner support from local governments, unlocking possibilities for formal explorations that might otherwise remain unrealized. In this regard, cultural architecture serves a dual purpose: enriching the community and establishing iconic landmarks that define the identity of their city or region. This ambition has certainly manifested in Taiwan. Situated in the heart of East Asia, this island nation boasts a remarkable array of formal explorations by both international and Taiwanese architects.
How is it possible to maximize livability in small spaces? What design decisions contribute to functionality and the fulfillment of the inhabitants' essential needs? Over the past decade, small-scale architecture has gained prominence in the quest to find new ways of living in connection with nature and in pursuit of relative self-sufficiency, among other reasons. From minimal homes or tree houses to fine carpentry solutions and sculptures, the Portuguese design studio Madeiguincho is dedicated to developing timber-based projects with the aim of promoting knowledge of wood craftsmanship as both a raw material and a building medium.
Zaha Hadid Architects has just revealed that the Shenzhen Science & Technology Museum, located in the Guangming District, has officially opened. Designed as a platform to highlight scientific research and technological innovation, the institution will explore the role of science in shaping the future. Adjacent to Guangming Station on Shenzhen's metro network, the design responds to its location as a solid, spherical volume facing the city, defining the southeast corner of the new Science Park. The museum aims to provide a space for public engagement with current developments in science and technology.
Uzbekistan has revealed the latest photographs of the pavilion for Expo 2025 in Osaka, Japan, after the recent opening. Designed by Atelier Brückner and realized by NUSSLI, the pavilion aims to showcase the country's vision for the future under the Expo's broader theme, "Designing the Future Society for Our Lives." Composed of modular, reusable wooden elements, the pavilion's architecture will later be reconstructed in Uzbekistan, serving as a studio, workshop, or school.
Huizhen High School by Approach Design Studio - Zhejiang University of Technology Engineering Design Group Co.,Ltd_Huizhen High School by Approach Design Studio. . Image Courtesy of WAF23
The World Architecture Festival (WAF) is set to host its 17th edition in Miami, marking the event's first appearance in the United States. This year's festival theme, announced as Hearts and Minds, will explore the intersection between rational design strategies and emotional resonance. Through a series of talks and panel discussions, speakers will examine how architecture operates both as an intellectual pursuit and a sensory experience, engaging perception, memory, and affect. Scheduled from November 12-14 at the Miami Beach Convention Center in Florida, the festival will gather architects and designers from around the globe for a three-day program featuring talks, awards, exhibitions, and fringe events. The event will highlight international practices, showcase new projects, and facilitate discussions on key issues shaping the built environment.
Theaters, concert halls, and opera houses are more than just venues — they are meticulously orchestrated environments where architecture, technology, and human emotion converge. Unlike conventional buildings, these spaces must accommodate a dynamic interplay between acoustics, sightlines, stage mechanics, and audience engagement, all while maintaining an architectural identity that resonates with performers and spectators alike. Whether it is the immersive embrace of a vineyard-style concert hall or the grandeur of a proscenium theater, every design decision shapes how performances are experienced and remembered.
Buildner, in partnership with Collective Action for Culture (C.A.C), the Municipality of Peja, and the Ministry of Culture of Kosovo, has released the results of the Peja Culture Pavilion competition – an international architecture competition inviting architects and designers to reimagine a historically significant site in the heart of Peja, Kosovo.
The competition sought innovative and respectful design proposals that would revitalize a neglected urban square centered around a 15th-century water fountain. Entrants were asked to integrate this cultural heritage element into a multifunctional pavilion that could serve as a space for performance, reflection, gathering, and celebration.
The Azerbaijan national pavilion, participating in the Venice Architecture Biennale for the first time, presents Equilibrium. Patterns of Azerbaijan. Curated by Nigar Gardashkhanova, the exhibition aligns with the overarching theme of this year's Biennale Intelligens. Natural. Artificial. Collective. Focusing on innovative design responses to the climate crisis, the pavilion emphasizes the principles of Regenerate. Innovate. Preserve. Featuring projects commissioned by Rashad Aslanov, the exhibition showcases contributions from the Azerbaijan Development Company (ADEC), Simmetrico Architettura, and Adalat Mammadov. Organized by the Heydar Aliyev Foundation and the Ministry of Culture of the Republic of Azerbaijan, with support from the Embassy of Azerbaijan in Italy, the exhibition will run from May 10 to November 23, 2025, at Castello 2127/A, near the Arsenale.
The 19th International Architecture Exhibition of La Biennale di Venezia opens in less than two weeks, on May 10, 2025, and will remain open to the public until November 23. On the day of the opening, the official Awards Ceremony will take place, during which a selected international jury will confer several official prizes, including the Golden Lion for Best National Participation. The recently announced jury includes South African architect, lecturer, and curator Mpho Matsipa; Italian curator Paola Antonelli, Senior Curator and Director of the Department of Architecture and Design at the Museum of Modern Art (MoMA) in New York; and Swiss curator, critic, and art historian Hans Ulrich Obrist, Artistic Director of the Serpentine in London, who will serve as President of the Jury.
DROPCITY is an ambitious and open platform for architecture and design, located in Milan's formerly abandoned Magazzini Raccordati tunnels behind Central Station. Initiated by Andrea Caputo in 2018 and open permanently since 2024, the project reimagines 40,000 square meters into public galleries, production workshops, prototyping labs, and research spaces. The founder of the platform is Andrea Caputo, an Italian architect and researcher. During Milan Design Week 2025, ArchDaily's managing editor, Maria-Cristina Florian, had the chance to sit down with Andrea Caputo to explore his vision and plans for DROPCITY, the platform's connection to the city of Milan and its active architecture scene.
