Swiss architect Valerio Olgiati has unveiled plans for Rruga Adem Jashari, a mixed-use development in Tirana, Albania, that seeks to blend urban living with the surrounding natural landscape. Positioned at the boundary between the city grid and an adjacent park, the project features three distinctive red concrete towers and a central white ziggurat. Combining residential, hospitality, and retail spaces, the development aims to create a seamless connection between the built environment and nature.
Despite their whimsical appearance, treehouses offer a unique platform for structural innovations and design explorations. Traditional treehouses rely on the trunks of trees for structural support, but, in order to ease the load supported by the tree, contemporary projects often introduce additional systems, such as stilts to maintain the image while offering additional support. One of the key advantages of elevating them in this way is the reduced environmental footprint. Treehouses can be designed to leave the forest floor untouched, preserving small-scale ecosystems. By freeing up the ground below, they minimize disruptions to native flora and fauna, allowing nature to thrive undisturbed. Similarly, many architects use the local topography to create seamless connections, incorporating ramps, stairs, or bridges that integrate with the landscape. These solutions not only improve accessibility but also enhance the overall experience creating an architectural promenade that moves between the treehouse and its surroundings.
"This sensitivity to the environment is reflected not only in the structural design but also in the careful selection of materials. The use of natural materials like wood, also helps the structure blend with its environment. Some designers have gone further by employing alternative materials such as mirrored panels to reflect the surrounding forest and mask the treehouse's presence entirely, demonstrating that the choice of material can contribute to creating a project that feels like an extension of its setting rather than an imposition on it. This collection highlights notable examples from Sweden, Denmark, Indonesia, and France, showcasing their diverse approaches.
Dennis Crompton, an influential figure in the field of architecture, passed away on January 21, 2025, at the age of 90. Born in Blackpool in 1935, Crompton's remarkable career spanned several decades and left an indelible mark on modern architecture. As a key member of the avant-garde architectural group Archigram, established in London in 1961, Crompton played a pivotal role in revolutionizing architectural practice, together with Warren Chalk, Peter Cook, Ron Herron, David Greene, and Michael Webb.
As the global climate crisis intensifies, the construction industry faces increasing pressure to reduce carbon emissions, prompting a fundamental reassessment of building practices. Dutch architecture firm MVRDV, known for its commitment to sustainability, presents an honest exploration of this challenge in "Carbon Confessions," an exhibition at Munich's Architekturgalerie. The exhibition provides insight into the firm's ongoing efforts, highlighting both its achievements and the obstacles encountered in the pursuit of carbon reduction.
In the heart of Cairo, amid its historic landmarks and evolving urban fabric, a distinct modernist architectural movement took shape in the 1950s and 60s. It reflected the city's response to rapid political, economic, and social changes. When it arrived, modernism in Cairo was not just an imported style but a "pragmatic response to the needs of a growing city." Architects focused on functionality, efficiency, and adapting designs to the local climate and cultural context. Following the 1952 revolution, Egypt underwent significant transformations under President Gamal Abdel Nasser's leadership. In fact, the government sought to build a new national identity that reflected progress and the nation's self-sufficiency. Architecture played a crucial role in this effort, with a strong focus on modernization and development. The state invested in large-scale projects to accommodate the needs of a rapidly growing population and expanding industries. This period marked a shift from colonial-era influences toward a search for a distinct architectural identity that aligned with the political and social aspirations of the time.
In many cultures, fire is a sacred element used in rituals of rebirth and renewal. It carries a dual symbolism, being both a creator and a destroyer—capable of illuminating paths or consuming everything in its wake. In Greek mythology, for example, Prometheus stole fire from the gods and gave it to humanity, marking it as a symbol of progress, knowledge, and creative power. However, fire also evokes destruction, as seen in biblical tales like that of Sodom and Gomorrah, where it was used as divine punishment. This duality was also evident in the 2019 fire at Notre-Dame Cathedral, which devastated its historic structure. The disaster sparked a wave of solidarity and led to unprecedented technological advancements, with restoration efforts utilizing digital tools such as laser scanning and Building Information Modeling (BIM) to recreate intricate details and preserve architectural heritage.
Unlike the 2024 Color of the Year selections, the 2025 picks reveal more commonalities among the colors chosen by major paint industry leaders. Each year, designers and enthusiasts from various fields gather within companies worldwide to reignite the conversation about color and its connection to contemporary culture. For the 2025 forecast, earth tones seem to be the big winners: Pantone's Mousse Chocolate is joined by cinnamon, brown, and burgundy shades from Benjamin Moore, Graham & Brown, Behr, and C2 Paint. Companies like AkzoNobel, Valspar, and Comex opted for more vibrant colors to celebrate optimism and joy, while Sherwin-Williams and Jotun didn't limit themselves to a single color. Instead, they introduced entire palettes centered on tranquility and relaxation. These concepts appear to be the guiding themes for 2025.
The configuration of the mosque, the worshipping place for Muslims, traces its history to the courtyard of the religion's founder. The first mosques were, therefore, simple open spaces marked for ritual prayer use. Over the years and centuries, they would gain multiple standard, functional features, such as the mihrab, a niche that indicates the direction of prayer, and the minbar, a pulpit for the preacher to give the sermon. Other elements also became common, such as domes and minarets, which were historically used for the call to prayer. These had the additional purpose of signifying the function of the building as a mosque and were used by rulers and benefactors to elevate its grandeur.
In contemporary times, mosques are not immune from architectural debate. Elements that have no religious function are questioned, as is the relationship between a mosque and its context. The discussion is especially stark in parts of the world with relatively new Muslim communities, where some theorists have advocated for the removal of symbolic elements on the basis that they are 'pastiche,' while others are nostalgic about the sentimentality associated with historical forms. Nonetheless, contemporary architects have been successfully elevating mosque architecture, fulfilling its functional requirements creatively, while allowing the building's context to drive the form.
From new delivery methods for adaptive re-use and mass timber structures to digital fabrication, new research aims to provide guidance on emerging construction methods and technologies.. Image Courtesy of Perkins&Will
Innovation comes in many shapes and forms. 2025 is poised to witness continued advancements in the areas of artificial intelligence, sustainability, and biotechnology. These breakthroughs often arise from experimentation in industries like technology and healthcare, where companies have strong research and development teams and significant budgets. This enables them to produce new products and services that address society's evolving needs.
In a world confronting complex challenges, innovation in architecture plays a distinctive role. Unlike industries driven by rapid innovation cycles, architecture must balance creativity with practical solutions that are deeply rooted in human experience. What will it take for the architecture industry to fully harness its potential in shaping the future of our built environment?
The Museum for Architectural Drawing in Berlin, Germany, will host a new exhibition titled "Steven Holl – Drawing as Thought," curated by Kristin Feireiss. The exhibition explores the creative process of internationally renowned architect Steven Holl with a focus on his use of drawing as a fundamental tool in architectural design. Furthermore, the exhibition highlights Holl's extensive artistic practice, which includes over 50,000 sketches, black-and-white drawings, and watercolors, offering insight into his approach to architecture through visual exploration.
Urban living has become synonymous with limited space and creativity for compact apartments. As cities become more dominated by concrete and steel, there is an exciting, yet unsurprising, rise in interest in embracing the green thumb, even within the constraints of a dense urban environment. This interest is not purely to tend aesthetic tastes, as studies consistently show that exposure to nature reduces stress, improves focus, and enhances overall well-being. However, in dense urban environments, the challenge lies in finding innovative ways to make this vision a reality for apartments where every inch matters.
Modernism in architecture emerged at the beginning of the twentieth century, fueled by advancements in science and engineering and a deliberate departure from historical styles. It championed a focus on social equity, urban development, efficiency, and functional design, marking a significant shift in architectural philosophy. Originating primarily in Europe and the United States, modernism captivated the global imagination with its innovative redefinition of space and architecture. Its spread to Asia was facilitated by cross-cultural exchanges—East Asian architects who studied under prominent modernists and European architects working in East Asia through international collaborations or colonial-era influences.
Photo of Brasília. Credits: Ana Volpe/Agência Senado
What is better: a city planned from scratch or one that forms spontaneously? In popular imagination, there is a belief that if a city was planned from the beginning, it must be better or more organized than others. In practice, however, this does not guarantee a city's success.
Cities like Tamansourt in Morocco, Songdo in South Korea, and King Abdullah Economic City in Saudi Arabia serve as cautionary examples of planning a new city from scratch only to struggle to attract the expected number of residents. These projects involved significant investment (both operational and financial) in urban design, space, and infrastructure but overlooked the fundamental economic reasons why cities exist.
Architecture has long been framed as the work of singular visionaries, yet Beatriz Colomina, a leading theorist, historian, and curator, challenges this notion, arguing that architecture is inherently a collaborative endeavor. She critically examines how the myth of the lone genius—almost always depicted as male—has erased the contributions of countless women and entire teams involved in the design process. For Colomina, rethinking architecture means recognizing the complexities of collective work and dismantling the historical biases that have shaped the discipline's narratives.
It is almost impossible to talk about Madrid, the Spanish capital, which, in addition to its obvious tourist appeal and its leadership as the most visited city in the country—followed by Barcelona—is inseparable from its long history and evolution up to the present day. In 2024, Madrid welcomed over 11.2 million visitors, accounting for approximately 11.9% of the total tourists who came to Spain that year. Much of the city's identity, the uniqueness of each of its neighborhoods, and the new areas developed over the years are deeply linked to growth that, although planned and modernized in many aspects, has managed to preserve the diverse character that defines its urban essence.
Spain boasts a vast diversity of natural and urban landscapes, where public space plays a leading role. Its relevance has grown in recent years, solidifying it as a key axis for interaction. Beyond its architectural and landscape qualities, public space offers visitors and citizens high-quality environments that contribute to improving living conditions, whether, in an urban park, a pedestrian axis within the city, or a space simply meant for being in a natural setting and connecting with the territory.
David Lynch - Ph. Dean Hurley. Image Courtesy of Salone del Mobile.Milano
Filmmaker David Lynch, renowned for his surreal and influential works like Blue Velvet and Twin Peaks, passed away at age 78. Lynch's nearly 50-year career was marked by distinctive, stylized films often featuring surreal elements and fragmented narratives. He received numerous accolades, including a Golden Lion for lifetime achievement and an honorary Oscar. His career began with painting and experimental animation before transitioning to filmmaking, culminating in iconic films and the groundbreaking television series Twin Peaks. His impact extended beyond the silver screen; his unique manipulation of space and atmosphere profoundly influenced architectural discourse.
In recent weeks, a series of significant architectural developments have been unveiled, highlighting the work of diverse architecture studios across the globe. These projects, announced between late September 2024 and early 2025, focus on transformative masterplans, housing solutions, and public spaces. Prominent firms such as Foster + Partners, ACPV ARCHITECTS Antonio Citterio Patricia Viel, and fjcstudio are at the forefront of these initiatives. In Dubai, Foster + Partners revealed the Regent Residences, a pair of residential waterfront towers. Meanwhile, ACPV ARCHITECTS announced three projects in Taichung, Taiwan, combining Italian design with Eastern philosophies to create green, community-focused urban spaces. In Sydney, fjcstudio's masterplan for Midtown aims to reshape the city's urban core with two 80-storey mixed-use towers, enhancing connectivity and public engagement. These projects demonstrate the diverse scales and contexts in which architects continue to innovate, shaping cities and communities worldwide.
