The average person spends approximately 90,000 hours, equivalent to one-third of a lifetime, at work. The workplace can be a second home to adults, and spending multiple hours has fueled a longstanding desire for change within the workplace. Over the decades, various factors, including pandemics, economic crises, and changing generational preferences, have impacted the nature of work and the places people work in. The recent phenomena of the Great Resignation and the widespread adoption of remote and hybrid work arrangements have accelerated the transformation of workplaces. In response, organizations are increasingly prioritizing the overall employee experience, recognizing the need to create environments that accommodate evolving work structures while fostering satisfaction, engagement, and well-being among their workforce.
Construction on OMA’s first project in Bangladesh, the Dhaka Tower, has just started. Reaching a height of 150 meters and spanning 180,000 sqm in office space, the project is set to stand as one of the tallest buildings in the country. This scheme marks a significant milestone in the urban landscape of Bangladesh, designed by OMA in collaboration with local real-estate developer Shanta Holdings.
Pantone 219C, or Barbie Pink, is a vibrant and bright magenta pink shade synonymous with the Barbie brand. Since the inception of the Barbie doll in 1959 by a company named Mattel, the doll has slowly trademarked this specific shade of pink. As Barbie’s popularity grew, the global association with the color pink did, too. From pink accessories, pink houses, pink haircuts, and pink packaging, there is no Barbie without pink. Moreover, as the doll became a popular cultural icon, her iconic shade of pink started to influence various industries beyond just toy manufacturing, including fashion, beauty, and interior design.
Light is a key feature in architecture. Centuries ago, the sun and fire were the only sources of illumination, but in today's technology-driven world, artificial lighting and cutting-edge optical technologies have found ways to mimic the qualities of natural light, making it possible to have a naturally-lit-looking space within four walls. LED technologies have even made it possible to embed lighting in furniture, interior surfaces, and facades, altering their intensities and hues to make light a main feature in the architecture's storytelling.
If used effectively, lighting can become a lot more than just an illuminator; it becomes a mood setter, a symbol of a specific emotion the architect is trying to convey. For instance, indirect lighting becomes a floater, levitating the walls from the ground and making the space seem lighter in weight, whereas orange light manipulates the space's temperature, creating the illusion that the users are walking into an intense, overheated room.
There is often an intricate relationship between architecture and the environment. Each part of the world has defined its own architectural techniques based on its unique climatic conditions. However, environmental concerns in the 21st century provoked new techniques, implementing solutions to preserve natural resources and provide thermal comfort. While some opted for a futuristic approach with mechanical and technologically-advanced solutions, others decided to go back in time and explore how civilizations protected their people, architecture, and environment when they had nothing else to resort to but the environment itself. In this article, we look at how Musharrabiyas found their way back into modern-day architecture as significant vernacular features.
Although the use of arches in architecture dates back to the 2nd millennium B.C., it was the Romans who solidified them as both an engineering element and a symbol of military victories, which we now see excessively as memorial arches. Shortly after, different civilizations and cultures adopted the arch for their own purposes, bridging together structural necessity and aesthetics. In this article, we look at how arches evolved from significant structural elements to captivating decorative details.
A rising number of studies suggest that well-considered lighting affects and boosts consumer behavior. Add to that the new Instagramability and promotional requirements, and the role of lighting becomes pivotal to achieving a filtered and commercially appealing visual. The latter has encouraged the implementation of new technology lighting panels and fixtures that offer a range of colors and dimmability, modifying the mood and even the overall color palette of a space. The results are some fun, sometimes almost cartoonish, settings that suggest the best backdrops and inviting venues.
After two weeks of voting in our 14th edition of the Building of the Year Awards, our readers have narrowed down over 4,500 projects to just 75 finalists across 15 categories, casting over 100,000 votes. This year's awards celebrate the very best in design, innovation, and sustainability from around the globe, with the shortlist featuring an exceptional range of projects, from a house in a favela to cutting-edge cultural centers and innovative public spaces that are sure to impress. As a crowdsourced award, we are proud to say that your selections are a true reflection of the state of architecture, and this year's finalists are no exception.
Interior design has progressively become a subject of interest among architects and designers. Having spent more time indoors recently, practitioners have been experimenting with their spaces and exploring different approaches to scale, comfort, and aesthetics. Much like everything else, design is highly influenced by external factors; any change to people's lifestyle influences how they respond to it, whether consciously or subconsciously. And while this dynamic is often seen in fashion or graphic design, it has been noticeable in interior design as well. Following years of linear, clean-cut, and refined spaces, curved silhouettes were revived, becoming one of the dominating interior design trends across the world.
Aedas Global, in collaboration with GDAD, revealed the design of a 230 meters tall mixed-use complex comprising of two twin towers and a plaza. The development, located at the base of the Baiyun Mountain range in Guangzhou, China, contains industrial, commercial, and publicly available areas while also including large urban green spaces and panoramic views of the mountains. The massing of the project is inspired and informed by the local topography, with sight-seeing corridors opening up toward the surrounding scenery.
The Harajuku Quest, designed by Shohei Shigematsu and OMA New York, represents a renewed commercial and cultural center in the Harajuku district of Tokyo. Located on a site in between Omotesando and Oku-Harajuku, the building is the newest phase of NTT’s “With Harajuku”, a larger urban development that aims to facilitate the flow of people through a series of squares and commercial areas. Harajuku Quest plans to draw people and activities from both Omotesando and Oku-Harajuku and connect the two areas for the first time. Construction is expected to complete in 2025.
New York-based firm HWKN will create 18,200 square meters of urban development in the commercial quarter of the new Canada Water regeneration plan. In collaboration with the scheme's master planner, BIG – Bjarke Ingels Group, the developer Art-Invest Real Estate UK, and the local community, HWKN makes its UK architectural debut by designing one of the three buildings at the Dockside, London. The building will blend innovative workspaces, commerce, and communal amenities.
The Canada Water Masterplan will transform a total of 215,000 square meters and is expected to deliver up to 3,000 new homes, 280,000 square meters of workspace, and community space in central-south London. The first new town center in London in 50 years would become the UK's most sustainable new urban hub after completion, expected in 2035.
One Brickell City Centre by Arquitectonica. Image Courtesy of Swire Properties Inc and Related Companies
Arcquitectonica unveiled the design of One Brickell City Centre, an approximately 1,000-foot (approximately 300 meters) office tower planned to become the tallest commercial tower in Florida. Located in Miami’s financial district on Brickell Avenue, the office building represents the second phase of Brickell City Centre, a 4.9-million-square-foot (450,000 square meters) mixed‐use development that opened in 2016. One Brickell City Centre is developed by Swire Properties Inc. and Related Companies. Construction it set to begin in 2023.
MVRDV has won a competition to design a mixed-use residential and commercial complex on the edge of Jiangbei New Area’s Financial District in Nanjing, China. Dubbed "Oasis Towers", the two 150-metre-tall towers are surrounded by lush landscapes, and will provide residents a green haven within a dense and rapidly developing part of the city.
Skidmore, Owings & Merrill (SOM) has unveiled a dynamic, user-controlled headquarters for Chinese multinational technology company Alibaba's Xuhui District campus in Shanghai. Located in one of the city's premiere arts and innovation districts, the new workplace transforms the typical headquarters building “inside out”, highlighting the company’s "collaboration and creativity". The building's architecture is designed to resemble a cloud, symbolizing the company's digital presence in the Cloud, as well as the technology industry’s shifting skies of innovation.
Foster + Partners has completed the new headquarters for the National Bank of Kuwait, a 300-meter skyscraper with a distinctive presence among the buildings of Sharq, Kuwait city's growing financial district. The new tower promotes employee synergy and enhanced wellbeing by bringing all of the bank’s corporate employees together under one roof. The design combines environmentally-conscious features and structural innovation, providing an energy-efficient passive architecture that shields the offices from the extremes of Kuwait's climate.
Foster + Partners has unveiled its latest commercial project on the world-famous Shibuya Crossing, in Tokyo, Japan. Dubbed the Shibuya Marui Department Store, the nine-storey retail development is set to become a new space for sustainable lifestyle brands, adopting the highest standards of sustainability and core principles of environmental responsibility and wellbeing. The timber structure's design and material selection will significantly reduce the embodied carbon of the building, while simultaneously creating a warm and open experience for visitors.
Ennead Architects has unveiled the Shanghai Lingang Special Area master plan, a new hub for global commerce. Designed around the central axis that defines the Dishui Lake district in Shanghai, the master plan establishes the identity of a new business district. Designed as a free trade zone, this is planned to attract prominent international companies. The site's design proposes functional areas where multinational corporations can optimize business operations while creating open spaces for the surrounding communities. Ennead’s large-scale plan includes four commercial buildings, retail, civic and open spaces.
