In May, the University of Chicago was selected to host the Barack Obama Presidential Library and Museum. Now referred to as the Barack Obama Presidential Center, the building's task force is expected to cast a global call in search of an architect. As the Chicago Tribune reports, officials sent a request for qualifications to a select group of architects yesterday, although others are welcome to submit. All those interested must send their credentials by September 16.

London-based architects Aukett Swanke, in partnership with the Royal Exchange and Oxford Properties, has announced its new competition for recent graduates to design six new market barrows located at The Royal Exchange in London. The deadline is September 11, so act fast!

Correction Update: This article was first published on Sunday 16th August, and originally stated that "the Burning Man management team will ultimately select a winner" and that "the final design plan will be implemented for the 2017 event." However, since then it has been brought to our attention that this is not an official competition, and the Burning Man organization is not planning to update their current design.

Recently, staff at ArchDaily spotted an interesting trend: thanks to the opportunities afforded by the internet, the results of many architectural competitions and other proposals have been opened up to public opinion like never before. Whether via competitions that post all of their entries online for public viewing such as the Guggenheim Helsinki or Battersea Bridge competitions, designer Karim Rashid's informal poll of his Facebook followers to pick their favorite facade for his design, or a competition that is actually decided by public vote such as Den Bosch's city center theater, it has never been easier for members of the public to make their opinions known about the future of their cities. Even this morning, the US World War I Centennial Commission published the finalists in the competition for the redesign of the National World War I Memorial, actively soliciting public feedback on the proposals.

In May, the US World War I Centennial Commission launched its design competition for the redesign of the National World War I Memorial, located in Washing DC. Though some concerns about the fate of Pershing Park, which currently occupies the site, have been voiced, the competition will continue nonetheless, aiming to fulfill the Commission's stated aim "to transform Pershing Park from a park that happens to contain a memorial to a site that is primarily a national World War I memorial, within a revitalized urban park setting with a distinct sense of place."

Renzo Piano, David Chipperfield, Sou Fujimoto, Miralles Tagliabue EMBT and ELEMENTAL are among 26 celebrated architects that have been longlisted in an international competition that seeks to transform the Qatar Flour Mills in Doha's Arabian Gulf into a massive "Art Mill." Moving on to the competition's second stage, the remaining architects will now develop site strategies that focus on the mill's connection to the city. The complete longlist includes:

The Seoul Metropolitan Government has announced its Sejong-daero Historic Cultural Space Design Competition, which seeks creative designs for the site of the former National Tax Service Building, as well as a greater conceptual blueprint for the central Seoul area.

Gallaudet University, the world’s only university for deaf and hard of hearing students, has launched an international competition to re-design its historic Washington DC campus. Participants will be challenged to "create a new campus gateway and redefine the University’s urban edge as a vibrant, mixed-use, creative and cultural district." Design proposals are not required during the competition's first stage; teams will be shortlisted based on their "understanding of the institution and project, team composition and past experience."

For this week's edition of The Urbanist, Monocle's weekly "guide to making better cities," the team discuss urbanism projects that were planned and never realised, what 'paper architecture' really is, and the importance of the architectural competition.

For decades, one of the most pressing questions surrounding architecture and urban planning has been "who gets to decide what is built?" Various systems have been tried, but one of the most popular strategies to emerge in recent years has been "The Public Vote." Thanks to the new possibilities afforded by the internet, it's becoming increasingly common to display all the entries to competitions to the public, as in the Guggenheim Helsinki competition, and even to have the public vote for their favorite, as in the recent competition to design Den Bosch's city centre theatre, or even Karim Rashid's informal poll of his Facebook followers to choose a facade for one of his designs. In some ways these approaches seem like the perfect response to years of complaints that decisions are made behind closed doors, away from the people who they affect.

The Chicago Architecture Biennial, in partnership with the Chicago Park District and BP, has announced the winner of its Lakefront Kiosk Competition, which sought out designs for an innovative lakefront kiosk to be inaugurated on October 3 for the opening of the Biennial.

Online international competition organizer archasm has launched its “Chandigarh Unbuilt: Completing the Capitol” ideas competition, which seeks designs to finalize and complement Le Corbusier’s Capitol Complex in Chandigarh, India.

Three buildings at the complex have been built according to Le Corbusier’s plans—the Secretariat, Assembly Hall, and High Court—but the fourth and final building, called the Museum of Knowledge, has yet to be conceptualized.

BW International is now accepting entries for its Design a Beautiful House competition, an international call offering £25,000 (about $39,000 USD) to winner(s). The competition is open to all designers, students, artists, and others from anywhere across the globe, and requires no registration fee.

Entrants are asked to think about the definition of beauty in order to create a design that considers the ways that beauty and aesthetics can enhance the function of a home and the experiences of its users.

eVolo Magazine has announced the start of their 11th annual Skyscraper Competition. Inviting architects, students, engineers, designers and artists, the competition places no restrictions on site, program or size, leaving participants free to explore the skyscraper as creatively as possible.

International architecture non-profit Shelter Global has announced the winners of its 2015 Dencity Competition. Out of 300 entries from 50 different countries, three winners and six special mentions were selected.

Ten finalist have been shortlisted as part of an open, two-stage competition set to redesign the Kaban lake system embankments in Kazan. Held under the authority of the Republic of Tatarstan Government, the competition will now ask the remaining teams to work on other town-planning projects in the Republic of Tatarstan held within the three context of the Water-Conservation Zones Year - in Kazan, Naberezhnye Chelny, Nizhnekamsk, Almetyevsk and other cities. Visiting sessions with the President of the Republic will be organized to introduce the context of the competition to the finalists.

The Royal Academy of Arts in London have launched a new international ideas competition which aims "to refocus attention to the huge potential of the brownfield sites that still exist across London." 'Brownfield' sites, or those earmarked for potential building development that have had previous development on them, are plentiful in the UK capital. This competition seeks "speculative ideas [which] make the most of these missing pieces in London’s urban jigsaw."

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Chicago based architecture studio Design With Company, in collaboration with Arup, have constructed their winning proposal for the Ragdale Ring design competition, which asked entrants to redesign Howard Van Doren Shaw’s 1912 performance venue for a Chicago artists’ community. Their design lightheartedly references features of Shaw’s architecture, while creating a venue for acoustically unamplified performances.