The State of Qatar has just opened its national pavilion's doors at Expo Osaka 2025. Designed by Kengo Kuma & Associates in collaboration with Qatar Museums, the pavilion blends traditional craftsmanship from Qatar and Japan while highlighting the two countries' connection to the sea, which is understood as a hub of resources and a medium for trade and knowledge exchange. The exhibition will be on view until October 13, 2025, aiming to showcase Qatar's innovations across diverse fields.
The Portugal Pavilion at Expo 2025 in Osaka embraces the theme "Ocean, The Blue Dialogue", offering visitors an immersive exploration of the ocean as a life-giving resource and a cornerstone of sustainability. Designed by Japanese architect Kengo Kuma, the Pavilion aims to reflect Portugal's deep historical, cultural, and economic connections to the sea, creating an architectural and narrative journey that bridges past, present, and future. The pavilion has recently been inaugurated in the in the "Empowering Lives" zone, next to the Bahrain Pavilion, designed by Lina Ghotmeh Architecture and the Austrian Pavilion by BWM Architects.
Opening on April 13th, 2025, Expo 2025 Osaka gathers countries and organizations from around the world under the theme "Designing Future Society for Our Lives." Located on the manmade island of Yumeshima, the event is expected to attract millions of visitors with a focus on innovation, sustainability, and cross-cultural exchange. The overall masterplan is led by Japanese architect Sou Fujimoto, who envisions a circular structure known as the Grand Roof, or the "Grand Ring." Measuring 1.5 kilometers in diameter, the floating canopy will connect the national and thematic pavilions below, functioning as a symbol of unity and collaboration while offering shaded walkways and event spaces.
The Nelson-Atkins Museum of Art in Kansas City, United States, has reached a critical moment in its expansion project, revealing six finalist designs that propose new ways to engage visitors, integrate the museum with its surroundings, and create an open and inviting cultural space. The shortlisted teams - Kengo Kuma & Associates, Renzo Piano Building Workshop, Selldorf Architects, Studio Gang, Weiss/Manfredi, and WHY Architecture - bring a range of approaches, each responding to the museum's architectural legacy and evolving role within Kansas City.
In the autumn of 2024, the Kistefos Museum Foundation invited 28 architectural firms to participate in a prequalification process to design a new site-specific standalone gallery. Scheduled to open in 2031, the new museum building will house the art collection of the museum's founder, Christen Sveaas. The gallery will join Kistefos' sculpture park, which features 55 works by international artists such as Yayoi Kusama, Olafur Eliasson, Fernando Botero, and Anish Kapoor, as well as an industrial museum and BIG's award-winning art gallery, The Twist. Additionally, a new visitor center, designed by the Oslo-based architectural firm Lund Hagem, is set to open in 2026.
Osaka, Japan's third-largest city, is a vibrant blend of tradition and modernity, making it a compelling destination for architecture enthusiasts. Known historically as the "nation's kitchen" for its role as a mercantile hub, Osaka is also a city of cultural and architectural diversity. Its landmarks range from the historic Osaka Castle to striking contemporary developments, each reflecting Japan's evolving urban identity.
As the host city for the highly anticipated Expo 2025, Osaka is poised to showcase its architectural prowess on a global stage. The city's skyline features innovative works by renowned architects and urban planners, including cutting-edge cultural centers, transportation hubs, and waterfront redevelopments. With contributions from celebrated Japanese architects such as Tadao Ando, Kengo Kuma & Associates, and Takenaka Corporation, alongside international figures like Dominique Perrault, Renzo Piano Building Workshop, and Pelli Clarke & Partners, Osaka seamlessly blends modernity with tradition, creating a unique architectural identity that reflects its past while looking boldly to the future.
In my 2008 interview with Kengo Kuma in Manhattan—the Tokyo-based architect was in town for a lecture at Cooper Union and to oversee the construction of a house renovation in nearby Connecticut— he summarized the intention of his work for me, "The closest image to the kind of architecture I try to achieve is a rainbow." The architect designs his buildings as a chef would prepare a salad or a florist arrange a bouquet of flowers—by carefully selecting ingredients according to their size, shape, and texture. He then tests whether they should touch, overlap, or keep a distance to let the airflow pass through. The process is closer to a trial-and-error scientific experiment rather than an artistic exercise in projecting visionary forms and images. Although his buildings surely look strikingly artistic and utterly breathtaking. They are both precise and loose, primitive and refined, material and transient. The architect's fascination with materiality is startling, and despite having completed many dozens of buildings all over the world over the course of his distinctive career, in our conversation last month over Zoom, Kuma told me, "I stand at the beginning of a long process of material exploration."
Throughout the year, ArchDaily's team of curators works on expanding and populating our project library. Located all around the world, each curator carefully considers the best works emanating from their respective regions in an effort to have a diverse representation of the most inspiring and innovative built works. The team looks to new rising practices, new technologies, and the vernacular revival of traditional construction techniques. Seeking socially driven initiatives, as well as major works by renowned architects, the overall offers a holistic view of the built world today and is relayed through the yearly project review.
Beijing, as the cultural and political center of China, embodies a rich architectural language that bridges history and modernity, tradition and innovation, showcasing the city's profound depth and diversity. From monumental landmarks like CITIC Tower and Daxing International Airport to the hidden courtyard renovations nestled within the city's historic hutongs; from the dramatic revitalization of the Shougang industrial site to the refined transformations of Baiziwan and Baitasi, Beijing's architectural achievements continue to captivate and inspire. Every space tells a unique story of the city, blending heritage with contemporary vibrancy.
In this city, memories are preserved, and vitality thrives. Let us step into Beijing, rediscovering the "new Beijing" within the "old Beijing" through the lens of its architecture, and experience the depth of time and the pulse of the city in its dynamic spaces.
Student housing has undergone a remarkable transformation over the last century. Once seen as a utilitarian necessity, providing shelter and basic amenities for students, this architectural typology has evolved to address increasingly complex societal, cultural, and urban demands. Starting with Le Corbusier's modernist approach at the Cité Universitaire in Paris, student housing has reflected broader trends in architecture, urbanism, and social change.
Today, these buildings must cater to a highly diverse and transient population, navigating the pressures of affordability, density, and the evolving living standards of young adults. With rapid urbanization and increasing student mobility, universities now face the challenge of designing housing that is not only functional but also adaptable to different cultural and social contexts. This has led to more flexible, innovative solutions that promote both privacy and community living.
The relationship between art and humanity dates back to the origins of civilization. Museums have become spaces where vast collections of art and artifacts narrate the history of time, humankind, cities, and countless stories about cultures and societies. Over the years, the museum's role has evolved, taking on different forms and scales, including the modern-day art gallery. The importance of art and culture in contemporary cities and neighborhoods is undeniable. However, galleries serve multiple roles in integrating art and culture into daily life. Why are these spaces valuable to communities? How do they support emerging artists? How can galleries revitalize neighborhoods?
In a surprising development, internationally renowned architect Kengo Kuma has been named the new lead designer for the highly anticipated Global War on Terrorism Memorial on the National Mall in Washington, D.C. The announcement follows the departure of previous designer Marlon Blackwell, who was originally selected in July 2023.
Pitched roofs and terraced lots or hillsides are some of the oldest, yet still highly functional, solutions for rainwater dispersal, redirection, and erosion management. While most constructions today still opt for traditional pitched or flat roofs, advancements in construction materials and techniques are leading to greater design exploration and layout variations. This has resulted in a rise in green roofs, passive insulation solutions, and more innovative uses of rooftops. One particular case has been the recurrence of the staircase or terraced roofs that often bring about a smooth continuity with the site and provide additional functional spaces to the project.
Large-scale infrastructure projects often aim to connect distant locations within urban areas, facilitating quicker transportation, logistics, and commercial activities along their routes. However, while these projects link distant destinations, their substantial physical presence can significantly affect local communities. This may result in the disconnection and disengagement of previously connected neighborhoods, the disruption of public spaces, and generally negative outdoor experiences caused by noise, pollution, and lack of attention and maintenance to these infrastructures.
Nevertheless, several successful built environment projects have re-integrated contentious infrastructure into the community through thoughtful design of outdoor spaces, with Paris' Coulée verte René-Dumont being one of the first examples and New York's High Line being one of the most prominent examples. The High Line demonstrates how well-conceived outdoor projects can address the alienation caused by extensive infrastructure, foster community reconnection, serve as cultural and economic hubs, and even spur further economic redevelopment, as in Hudson Yards.
Are humans the only stewards of the built environment? For many architects and planners, spaces are designed with a focus on the needs, comfort, and health of humans. A spatial ordering, in constructed spaces and the urban fabric, designates humans as the default, singular user in this scenario. However, as much as humans have influenced the trajectory of the world, other species play a crucial role in designing, forming, and maintaining the urban landscapes of the twenty-first century.
Deutsches Architekturmuseum (DAM) has announced the International High-Rise Award 2024/25. Selected from more than 1,000 new high-rises worldwide dating from the past two years, the nominated projects are located in 13 counties from 5 continents. In autumn, the five finalists will be announced, followed by the winner announcement scheduled for November 12, 2024. The main objective of the award is to highlight good practices in the ongoing trend of mixed-use high-rises.
With the increase in the construction of high-rises, special features such as the introduction of greenery in the design, unusual shapes, or the construction of clusters of towers, have become the new normal. DAM’s research this year also shows a growing eco-awareness, as the focus in high-rise construction is increasingly on the use of existing buildings. While the majority of tall buildings continue to be erected in China, followed by the USA, Australia, and Singapore have emerged as new hubs of high-rise architecture.
Continuing his work exploring the office spaces of architecture studios from around the world, Archmospheres photographer Marc Goodwin has reached Japan, where he captured the workspace of architecture studios such as Kengo Kuma & Associates, Tato Architects, Akihisa Hirata, and Nori Architects. Collaborating with Marc Goodwin, architect, and writer Samuel Michaëlsson traveled to Japan in the autumn of 2019 to interview the participants, resulting in a series of videos that further developed the exploration.
The photographs reveal snippets of everyday life in these studios. While not all of the buildings were designed by their occupying architecture studios, each office has added a personal touch to their space, aligning them with their internal culture and traditions. One such example is Tato Architects, for whom the kitchen has become an important gathering space, as they take turns preparing lunch for each other and eating together is a significant part of their office story.
The 3rd edition of Shaping the City, a forum on sustainable urban development, took place in Venice between November 24-25, following successful events in Chicago and New Orleans. Organized by the European Cultural Centre, this forum was running in parallel to the 2023 Venice Architecture Biennial exhibition, Time Space Existence. The event, hosted at Palazzo Michiel del Brusà in Cannaregio, brings together global urban planners, architects, academics, and politicians. Notably, Japanese architect Kengo Kuma was among the experts invited to explore the intersection of nature and the built environment in Japanese architecture.
Over two days, the conference set out to explore crucial themes such as education, urban commons, displacement, nature integration, and the future of architecture media, a subject discussed during a panel talk attended by ArchDaily’s managing editor, Christele Harrouk. While on-site in Venice, the ArchDaily team sat down with Kengo Kuma to discuss his unique approach to nature-inspired and site-specific designs.
