The first photos of the recently completed Western Sydney International (Nancy-Bird Walton) Airport (WSI) have just been unveiled, marking the delivery of Australia's first major airport in over half a century. The design was developed with Zaha Hadid Architects and COX Architecture involved in the initial design concept, and Woods Bagot as the leading design and delivery as part of Multiplex's design team. The terminal presents a new model for airport design, one that is grounded in its setting, responsive to its context, and oriented toward the future of travel. Located in Badgerys Creek on the Cumberland Plain, the terminal is positioned to serve as a long-term gateway to Greater Sydney. While major construction has concluded, final fit-outs of the terminal's retail precinct and airline lounges will be completed closer to the airport's official launch, as commercial agreements continue to progress. Western Sydney International Airport is on track to begin operations, including domestic, international, and air cargo services, in late 2026.
This month's architecture news highlights a strong focus on sustainability, adaptive reuse, and innovative community-centered design. From environmentally responsive urban developments to cultural and recreational spaces, architects are redefining how buildings interact with their surroundings. Notable examples include 3XN's Sydney Fish Market redevelopment, which integrates public accessibility with climate-sensitive design, and CambridgeSeven's Seneca Park Zoo expansion, which blends conservation efforts with immersive visitor experiences. Whether it's the creation of high-performance sports facilities in Portland or the transformation of historic sites into contemporary hubs, these projects showcase the evolving role of architecture in shaping communities. Read on to discover the latest architectural news and developments.
In recent weeks, a series of significant architectural developments have been unveiled, highlighting the work of diverse architecture studios across the globe. These projects, announced between late September 2024 and early 2025, focus on transformative masterplans, housing solutions, and public spaces. Prominent firms such as Foster + Partners, ACPV ARCHITECTS Antonio Citterio Patricia Viel, and fjcstudio are at the forefront of these initiatives. In Dubai, Foster + Partners revealed the Regent Residences, a pair of residential waterfront towers. Meanwhile, ACPV ARCHITECTS announced three projects in Taichung, Taiwan, combining Italian design with Eastern philosophies to create green, community-focused urban spaces. In Sydney, fjcstudio's masterplan for Midtown aims to reshape the city's urban core with two 80-storey mixed-use towers, enhancing connectivity and public engagement. These projects demonstrate the diverse scales and contexts in which architects continue to innovate, shaping cities and communities worldwide.
Chris Bosse started LAVA, Laboratory for Visionary Architecture, with his partners Tobias Wallisser and Alexander Rieck the year Watercube, the Aquatics Centre for the 2008 Beijing Summer Olympics was completed. Bosse was one of the leading designers of Watercube when he worked at PTW Architects in Sydney. Now LAVA employs about 100 people in four offices in Ho Chi Minh City, Sydney, Stuttgart, and Berlin. There are also two satellite offices in Honduras and Parma, Italy, led by former associates. Projects range from furniture to houses and hotels to master plans, urban centers, and airports in the Middle East, Central America, Europe, Australia, and Vietnam.
Kim Utzon started his small architectural practice, Kim Utzon Arkitekter, in Copenhagen in 1987, choosing to work primarily in Denmark and neighboring Sweden, to keep close ties with family and be able to reflect effectively on regional building traditions. Kim is the youngest son of Jørn Utzon (1918-2008), the Pritzker Prize-winning architect whose most celebrated buildings include the Sydney Opera House (1973), Bagsværd Church near Copenhagen (1976), and the Kuwait National Assembly Building (1982). Kim’s brother Jan Utzon is a practicing architect and his sister Lin Utzon is a ceramic artist.
This article was originally published on Common Edge.
In October 2011, inspired by the Arab Spring revolutions, thousands of people in Australia and in many other cities in the world started to occupy public spaces. In Sydney, where I live, this occupation took place in Martin Place, appropriately enough right outside the Reserve Bank of Australia. This widely publicized protest was an attempt to promote a pro-democracy, civil liberty, social justice message, and to protest against corporate greed and economic inequality.
All of which begged a central question: Was it an occupation of our public space, or was it a reclamation of our public space from governmental and corporate dominance?
This article, written by Svetlana Kondratyeva and translated by Olga Baltsatu for Strelka Magazine, examines the most interesting cases of the role of culture in sustainable urban development based on the UNESCO report.
UNESCO published the Global Report on Culture for Sustainable Urban Development in the fall of 2016. Two UN events stimulated its creation: a document entitled Transforming our World: the 2030 Agenda for Sustainable Development, which emphasizes seventeen global goals for future international collaboration, was signed in September of 2015 at the Summit in New York. Habitat III, the conference held once in twenty years and dedicated to housing and sustainable urban development, took place in Ecuador in October of 2016. The question of culture’s role in urban development, and what problems it can solve, was raised at both events. To answer it, UNESCO summarized global experience and included successful cases of landscaping, cultural politics, events, and initiatives from different corners of the world in the report.
Alongside Camilla Block and David Jaggers, Neil Durbach of Durbach Block Jaggers has carved out a unique place in Australian architecture. Known primarily for their carefully sculpted modernist houses, the firm's architecture is simultaneously rich in architectural references and thoroughly original. In this interview, the latest in Vladimir Belogolovsky's “City of Ideas” series, Durbach explains the true inspirations behind their work, why these inspirations have little to do with the public descriptions of their projects, and why for him, the intention of all of his architecture “is to win Corb’s approval.”
Vladimir Belogolovsky: You came to Australia while the Sydney Opera House was still under construction. Does this mean you were here even before going to the US?
Neil Durbach: Yes, I first came to Australia as an exchange student while still in high school.
VB: So you have seen the Opera under construction then. How special was that? Did that building change anything in particular in you?
ND: Well, at that time I wanted to be an artist. A friend took me on a boat to see it. It was kind of staggering... And I thought – you know, this is much more interesting than art. And I felt – maybe architecture is what I should pursue.
Wilkinson Eyre Architects has won an international competition to design “Sydney’s next masterpiece.” Selected over three other shortlisted firms - Renzo Piano, Adrian Smith + Gordon Gill, and KPF - the London-based practice will now be responsible for the design of a $1.5 billion sculptural icon to host a six-star Crown Sydney resort on a 6000-square-meter site in the inner-city waterfront precinct of Barangaroo.
