Church: The Latest Architecture and News

Russia’s invasion of Ukraine unleashed a major humanitarian and refugee crisis, with 4.2 million people fleeing into neighbouring countries and 6.5 displaced internally. According to the United Nations Office for the Coordination of Humanitarian Affairs (UNOCHA), 18 million people are projected to become affected in the near future with the current scale and direction of the ongoing military violence. In addition to the threat to human lives, Ukraine’s culture is also at risk, as cities and historic buildings are being destroyed. In March, the United Nations Educational, Scientific, and Cultural Organization (UNESCO) has expressed concern over the damage caused to historic landmarks in Ukraine and called for the protection of its cultural heritage. The following are some of Ukraine’s most prominent architectural landmarks, which are now in danger of being destroyed amid the conflict.

Spanish architect and engineer Santiago Calatrava is rebuilding World Trade Center’s St. Nicholas Greek Orthodox Church and National Shrine in New York City. The church, which was destroyed during the 9/11 attacks, began its reconstruction process in 2015, and is finally reaching completion in 2022. The new structure's design is inspired by a mosaic of Istanbul's Hagia Sophia Grand Mosque, formerly the Church of Hagia Sophia, which was one of the fundamental factors in defining the original architecture of the St. Nicholas Greek Orthodox Church.

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Henning Larsen has won a competition to design Højvangen Church, the first church to be built in Skanderborg Parish in over 500 years. The new intervention, set to be completed and inaugurated by December 2024, will be a new public gathering point in the growing residential area of Højvangen in Skanderborg, Denmark.

Changtteul Church, is an old place of worship in Gyeonggi-do, South Korea, that gets its name from the term "changtteul", meaning "a frame containing a window", in Korean. As its name suggests, the building's character lies in its series of windows, giving the visitors both outside and inside a unique experience of light and scenery.

Designers Hanyoung Jang and Hanjin Jang of studio minorormajor utilized the windows of Changtteul as a metaphorical motif for their design concept: the first being the 'window between man and God', and the second being ‘the window between man and nature’, immersing the abandoned religious facility with dramatic experiences.

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Rocco Design Architects created a vertical church, on a challenging site in Wan Chai District, Hong Kong. The Wesleyan House Methodist Church, with its 11,000m² program, sits on a tight 800m² plot, making it inevitable to go up and generate a skyscraper structure.

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Safdie Architects’ entry for the Abrahamic Family House competition located in the Saadiyat Island Cultural District, in Abu Dhabi, brings together a mosque, a synagogue, and a church within a shared public park.

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Adjaye Associates have been selected as the winners of The Abrahamic Family House competition, in Abu Dhabi. The landmark project, on Saadiyat Island, is a space where 3 religions will come together with the implementation of a mosque, a synagogue, and a church.

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This article was originally published on July 28, 2016. To read the stories behind other celebrated architecture projects, visit our AD Classics section.

Six million yellow bricks on a hilltop just outside Copenhagen form one of the world’s foremost, if not perhaps comparatively unknown, Expressionist monuments. Grundtvigs Kirke (“Grundtvig’s Church”), designed by architect Peder Vilhelm Jensen Klint, was built between 1921 and 1940 as a memorial to N.F.S. Grundtvig – a famed Danish pastor, philosopher, historian, hymnist, and politician of the 19th century.[1] Jensen Klint, inspired by Grundtvig’s humanist interpretation of Christianity, merged the scale and stylings of a Gothic cathedral with the aesthetics of a Danish country church to create a landmark worthy of its namesake.[2]

It was decided in 1912 that Grundtvig, who had passed away in 1873, had been so significant to Danish history and culture that he merited a national monument. Two competitions were held in 1912 and 1913, bringing in numerous design submissions for statues, decorative columns, and architectural memorials.[3]

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Constructing places of worship has always been an intricate practice, managing to detach the human, and release the boundary between body, mind, and spirit. Holy presence has been crucial in designing and constructing sacred places, which is why almost all religious building possessed similar characteristics: grandiosity, monolithic material, natural elements, and a plan that compliments an individual’s circulation through the space. Contemporary religious structures, however, found a way to adapt to the evolution of architecture. Unlike the Gothic or Baroque periods, modern-day architecture does not have a dominant identity. It is, in fact, a combination of postmodernism, futurism, minimalism, and everything in between. Architects have found a way to transform these exclusive, religion-devoted places into structures of spirituality, manifestation, and fascination.

Here is a selection of contemporary religious buildings that prove once again that architects are breaking all boundaries of creativity.

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Some of the greatest architectural works throughout history have been the result of religion, driven by the need to construct spaces where humanity could be one step closer to a higher power. With more people choosing a secular lifestyle than ever before, are the effects that these buildings convey—timelessness, awe, silence and devotion, what Louis Kahn called the “immeasurable” and Le Corbusier called the “ineffable”—no longer relevant?

With the Vatican’s proposal for the 2018 Venice Biennale, described as “a sort of pilgrimage that is not only religious but also secular,” it is clear that the role of "religious" spaces is changing from the iconography of organized religion to ambiguous spaces that reflect the idea of "spirituality" as a whole.

So what does this mean? Is there still a key role for spirituality in architecture? Is it possible to create spaces for those of different faiths and those without faith at all? And what makes a space "spiritual" in the first place?

The Vatican has released details of the Holy See Pavilion for the 2018 Venice Biennale, marking the Vatican’s first ever entry to the architectural exhibition. Situated on the Island of San Giorgio Maggiore, the Holy See Pavilion will lead visitors on a journey through ten chapels designed by ten architects.

The beginning of the journey will be marked by the Asplund Chapel, designed by MAP Studio and built by ALPI, drawing inspiration from the “Woodland Chapel” built in 1920 by Gunnar Asplund at the Woodland Cemetery in Stockholm.

Architecture photographer Ana Amado has shared with us a set of photographs featuring Álvaro Siza's recently inaugurated Church of Saint-Jacques de la Lande, in Rennes—the first church built in Brittany, France this century.

As in many other Siza buildings, this church is built in white concrete and pays special attention to the natural light, which bathes the altar, tabernacle, pulpit and baptismal font from above. Externally, different volumes—blocks, cylinders and incisions—add to the overall mass of the building, distinguishing it from the neighboring housing blocks, while the use of few openings helps to establish a solid, permanent presence in the natural environment. Check Ana Amado's set of photographs below: 

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Helsinki-based practice AOR have presented designs for a church in the Finnish town of Ylivieska which also doubles as a bridge spanning the Kalajoki River. The proposal, which was awarded a shared third prize in an open competition, intends to "revive the historical role of the church as a dominant building in the river landscape."

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In March 2016, the central church of Ylivieska, Finland, was destroyed in a fiery blaze, an act of arson that leveled the 18th-century wooden structure into a pile of ash.

Now, the community is set to start fresh with a brand new church designed by K2S Architects, after the Finnish firm was selected as the winners of a competition for the new Ylivieska Church.

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OOPEAA and Lujatalo worked together to design the winning proposal for a new multi-functional church and social housing project for Tikkurila, Helsinki entitled Church in the City. The project is unique in the way that the architect, builder, and client participated in a highly collaborative design process.

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