Civil Architecture: The Latest Architecture and News

The Diriyah Biennale Foundation has revealed the four architecture studios shortlisted for the 2027 AlMusalla Prize, an international competition that commissions the design of a musalla, a space for prayer and contemplation, for the third edition of the Islamic Arts Biennale. Opening on November 1, 2027, at the Western Hajj Terminal in Jeddah, Saudi Arabia, the Biennale will feature a new prayer structure designed by one of the shortlisted teams: Al-Jawad Pike (United Kingdom), Civil Architecture (Bahrain/Kuwait), MILLIØNS (United States), or NEW SOUTH (France). The winning proposal will be announced in March 2027 and realized as part of the exhibition before being permanently relocated to JAX District in Diriyah.

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For centuries, domestic architecture throughout the Gulf has been organized around the courtyard. Houses presented thick exterior walls and limited openings to the street, turning inward toward a shaded garden that structured everyday life. This spatial arrangement responded to both climate and culture. The courtyard brought daylight into deep plans, enabled cross-ventilation, and provided a protected outdoor environment within dense urban fabrics. In the House with Seven Gardens, in Diyar Al Muharraq, Bahrain, the Bahrain-based practice Civil Architecture, one of the winners of the ArchDaily 2025 Next Practices Awards, revisits this spatial tradition through the conditions of contemporary suburban housing. Rather than reproducing the courtyard house as a historical model, the project reinterprets its environmental logic within the regulatory frameworks and spatial conditions that shape much of today's urban development in the Gulf.

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ArchDaily is proud to reveal the winners of the 5th edition of Next Practices, recognizing 20 groundbreaking architectural practices from around the globe. These firms embody the creativity, innovation, interdisciplinary approach and social responsibility that are shaping the future of architecture and expanding its horizons.

Architecture competitions have long been a means for nations to shape their identity, cultural landscapes, and built environment. They provide a platform for international architects to contribute to national projects, often reflecting broader ambitions of modernization and global recognition. In 1976, Bahrain launched potentially the first major architectural competition—a call for designs for a National Cultural Centre, bringing some of the world's leading architects into the Gulf's emerging architectural discourse. Though the winning design by Timo Penttilä was never built, the competition remains a key moment in Bahrain's history, illustrating the challenges of translating external visions into local realities.

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The Arabian Peninsula represents one of the world's leading exporters and users of fossil fuels, an economic reality that influences the area's visions for the future and, implicitly, architecture and urban planning's role in these scenarios. A number of emerging offices are however countering these narratives, turning to contextual research to reframe the area's production of architecture. Among these, cultural practice Civil Architecture has become recognized for its provocative works that explore alternative narratives for the identity of the Middle East. While in Bahrain, ArchDaily's Christele Harrouk had the chance to sit down with Ali Karimi, who, together with Hamed Bukhamseen, co-founded Civil Architecture. In the video interview, they discuss the practice of architecture in the Gulf region and the narrative and research-focused approach of the office.

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Landscape architecture has traditionally been associated with lush greenery, rooted in the historical development of gardens and parks as spaces that bring nature into urban areas. This connection to greenery is deeply ingrained in the origins of the field, where the creation of verdant retreats was seen as both aesthetically pleasing and beneficial to human well-being. However, in regions like the Middle East, where water scarcity and harsh climates are more prevalent, there is a growing trend toward using local materials such as sand, stone, minerals, and indigenous plants. This shift reflects a more sustainable approach, reimagining landscape architecture to align with the environmental and cultural contexts of the region.

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The Graham Foundation has announced 56 new grants to individuals, selected from nearly 600 submissions. Centered on publications, research, exhibitions, films, site-specific installations, and digital initiatives, the funded projects "expand contemporary architecture ideas through innovative rigorous interdisciplinary work on the design and the built environment." The projects are led by 84 individuals, including established and emerging architects, artists, curators, designers, filmmakers, historians, and writers.

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Establishing a platform in the Arab world, Design Doha 2024 debuted its inaugural edition in Doha, Qatar. Facilitating dialogues between designers, the event challenges the misconception that the Arab world is composed of a singular culture. It highlights, therefore, the diversity of populations, landscapes, and histories it encompasses.

Centered on "Arab Design Now," a regional survey showcasing the works of over 70 Arab designers, featuring 38 commissioned pieces, Design Doha is running from February 24 to August 5, 2024. ArchDaily had the opportunity to talk to Rana Beiruti, curator of the main exhibition, during the event's opening, to grasp the significance of the biennial and delve into some of the key installations, exploring the stories behind these interventions, learning about the designers involved, and gaining insights into their creative processes.

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Einstein’s Special Theory of Relativity introduces the mind-blowing concept that time – as we know it – is not as stable and reliable as it first seems. As a defining characteristic upon which all of human history is referenced, the fallibility of time is a confusing prospect. 15 minutes, for example, seems an eternity while waiting in line, and yet the 300,000 years of human history equates to less than a day in the lifetime of the Earth.

So when we talk about ‘saving the planet’ by slowing and reversing climate crisis, what we really mean is extending our own existence upon it. Because no matter what we do, this rock will continue to spin for billions of years yet. In reality, humanity itself is only a temporary installation.

These four outdoor installation projects use the Earth’s environment and borrow its resources to investigate our human relationship with time, and how it affects our lives down here on the surface.