Modernity: The Latest Architecture and News

A long table can sit almost anywhere and still do the same work. It can stretch beneath a market canopy, run along a school dining hall, or occupy the center of a shared living room, and it immediately changes the room's temperature.

That is why the long table is less an object than a spatial instrument. It does not guarantee a connection, and it rarely looks "inclusive" by default. Instead, it sets conditions: a shared edge, a common rhythm of arrival, a field of mutual visibility, or a rule that turns eating into a scene with others. Food studies describe this practice as commensality, the act of eating together and the social order it can create, reinforce, or contest. But what matters here is not a specific dimension or the table's function, but the way a long surface holds difference, conversation, and silence; intimacy and distance; the decision to join and the right to hesitate.

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Frankfurt is often recognised for its distinctive skyline, a rare feature in European cities. Towering glass skyscrapers mark its role as a global financial hub, yet beneath this vertical image lies a city layered with centuries of history, destruction, and reconstruction. From medieval timber-framed houses to post-war modernism and contemporary high-rises, Frankfurt has consistently reinvented itself through architecture, producing a built environment where different periods coexist in dialogue.

The city's transformation accelerated after World War II, when much of its historic core was destroyed and planners sought to balance rapid economic growth with the need for cultural reconstruction. Landmarks such as the Römerberg square were meticulously rebuilt, while modernist interventions and infrastructural projects introduced new scales and languages. More recently, projects by internationally renowned offices have reshaped the riverfront and business districts, adding architectural icons that express Frankfurt's global role.

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The Mid-Century Modernist movement was more than an aesthetic or material shift in the United States, as it was a response to a rapidly changing world. Emerging after World War II, this architectural revolution rejected ornate, traditional styles of the past in favor of clean lines, functional design, and incorporation of flashy materials like steel, glass, and concrete. Modernism was a break from tradition, focusing instead on simplicity, efficiency, and a vision for the future. It reflected the optimism of a nation rebuilding itself, where technology and innovation shaped everything from cityscapes to suburban homes.

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The complex relationship between architectural education and modernist principles in Brazil raises important questions about contemporary architectural practice. To explore this topic, we invited five professors from different Brazilian universities to share their perspectives: Eduardo Lopes (Universidade do Vale do Itajaí), Eduardo Westphal (Universidade Federal de Santa Catarina), Fábio Mosaner (Universidade Federal de Pernambuco), Marta Bogéa (Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo), and Rodrigo Bastos (Universidade Federal de Santa Catarina). Their insights highlight modernism's lasting influence on architectural education while raising key questions for the current architectural debate.

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Bali, often called the "Island of the Gods," is known for its unique harmony between the microcosm of human life and the macrocosm of the natural environment. This delicate balance is deeply embedded in its traditional architecture, which reflects a synergy between cultural, religious, and environmental elements. Home to approximately four million people, Bali is Indonesia's only Hindu-majority province. While 1.7% of Indonesia's total population practices Hinduism, 87% of Bali's residents follow the faith. Over centuries, Balinese architecture has evolved through influences from the ancient Bali Aga culture, the Majapahit Kingdom, Dutch colonization, migration, and the rise of global tourism. Visitors are captivated not only by its temples and natural beauty but also by its evolving architectural styles, which strive to preserve the island's cultural essence.

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As the prefix already indicates, postmodernism is a turning point in history, thereby proving the willingness of scholars to define this new era based on the rejection of the previous movement. Postmodernism first emerged in the 1960s as a departure from modernism. As a reaction against the austerity, formality, and lack of variety of modern architecture, particularly in the international style advocated by Le Corbusier and Mies van der Rohe, postmodernism defends an architecture full of signs and symbols that can communicate cultural values. Postmodernism is a reaction to homogeneity and tediousness by praising difference and striving to produce buildings that are sensitive to the context within which they are built.

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